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Sounds like … a slightly bigger version of Casting Crowns' first album, borrowing from the same kind of adult contemporary pop/rock that MercyMe, Steven Curtis Chapman, Big Daddy Weave, and Chris Tomlin are best known for.At a glance … as derivative as some of this sequel is, there's plenty here to appeal to fans, particularly the insightful songs by lead singer/songwriter Mark Hall.Track Listing Lifesong Praise You in This Storm Does Anybody Hear Her Stained Glass Masquerade Love Them Like Jesus Set Me Free While You Were Sleeping Father Spirit Jesus In Me Prodigal And Now My Lifesong Sings
Catchy melodies and inspiring lyrics, yes, but I suspect Casting Crowns is also popular because people love an unlikely success story—The Little Worship Band That Could. Formed out of the youth program at Eagle's Landing First Baptist outside Atlanta, they simply aspired to serve their church community. Yet their debut CD found its way into the hands of Mark Miller (Sawyer Brown) and Steven Curtis Chapman, signing Casting Crowns to a deal with Miller's fledgling Beach Street Records. But as good as their debut was, it's not like this band was offering anything revolutionary. Who could have known that their debut would go on to sell more than a million copies and earn eight GMA Music Awards?
Now the band has gone from small expectations to one of the year's most anticipated releases. Lifesong is solely produced by Miller, which partially explains why it sounds somewhat less derivative of Chapman. But no worries—it's still very similar to its predecessor, offering Southern-influenced AC pop/rock cut from the same cloth as MercyMe and Big Daddy Weave. One would assume that there was a bigger recording budget this time, but if so, it hasn't noticeably improved the sound from the strong production of the last.
Pity that Lifesong's lead single and title track is also one of the album's weakest. You can't blame the label for selecting it, as it appeals to Christian radio's insatiable taste for modern worship while reminding listeners of the album's name and summing up its overall theme (living our lives to serve the Lord). A marketing hat trick, for sure, but Casting Crowns is unfortunately most predictable with worship songs like this, which like so many seems to be imitating U2's "Where the Streets Have No Name" or Chris Tomlin's "Forever." If that weren't enough, the band repeats the exact sound for "Father, Spirit, Jesus," another by-the-numbers worship song reminiscent of a hundred others from the last five years. The closing "And Now My Lifesong Sings" fares better with its piano/strings arrangement, though it's little more than a repetition of key lines from "Amazing Grace."
Better are a pair of somber tunes that singer/songwriter Mark Hall wrote in response to pain in the lives of others. "Praise You in This Storm" is dedicated to a friend's daughter who lost a long battle to cancer. Like the previous hit "Who Am I," it's vertical in focus and a typical-sounding power ballad, but it's not hard to imagine people latching on to its powerful Job-like expression of faith and hope. "Love Them Like Jesus" is another reflective ballad, reminding us that while we won't find easy answers to hardships like divorce and miscarriage, we can bear one another's burdens with love.