- Monday, September 01, 2008
- The Resistance
- Blame Me! Blame Me!
- Feel Good Drag
- Burn Out Brighter (Northern Lights)
- Haight Street
- Soft Skeletons
- Miserabile Visu (Ex Malo Bonum)
Five years ago, Anberlin made their debut and became an instant indie rock darling, drawing largely from classic '80s bands like The Cure, The Smiths, and The Outfield as well as contemporaries like Interpol, The Juliana Theory, and Franz Ferdinand. With each successive release, they only seemed to gain momentum, to the point where they've almost become like U2 and Coldplay as a band that has defined a sound and is regularly used for comparison's sake. When you're perceived as a trendsetter, the bigger record labels are bound to take notice. And just months after the release of Cities in 2007, which debuted in the Top 20 of the
Barely a year after that deal, the Florida quintet takes their next big step into a larger world with
Enter producer Neal Avron (New Found Glory, Fall Out Boy), who pushed the band to work on their arrangements and break from convention. The results are bound to stir debate among Anberlin's core fan base. Many would say that the band has surrendered their emo alternative style to more pop-friendly melodic rock. At times, this is definitely true, but Anberlin also still remains true to their distinctive sound on
Longtime fans will gravitate toward the opener, "The Resistance," another heavy-hitting modern rocker reminiscent of many of Anberlin's past songs. Percolating guitars underscore generalized lyrics of empowerment and revolution—against what, it's never clear, but this is easily one of Anberlin's best with big rhythmic hits and gang vocals punctuating the chorus. The faithful will also enjoy "Blame Me! Blame Me!" as well as a punchy remake of "Feel Good Drag" (originally from 2005's Never Take Friendship Personal). And the fast-paced "Disappear" seems a natural evolution of the band's '80s-derived alt-rock style.
But then other tracks are more radio-friendly than any of Anberlin's previous work. "Breaking" and "Retrace" bear more of a pop flavor in their melodies and use of strings, while "Younglife" offers a nostalgic look to childhood with nuanced acoustic pop. And "Haight Street" is upbeat pop/rock fun with plenty of handclaps, sharing more in common with The Bay City Rollers or early Beatles than Anberlin's alt/emo rock influences. Though it's understandable why some fans would be disappointed, it all brings some much-needed variation to the album, allowing each song to stand on its own merits. Additionally, the songwriting has become tighter and more focused, rather than the meandering emo exhibited on Anberlin's earlier albums.
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