Sounds like … Switchfoot's lead singer performing indie folk along the lines of Elliott Smith, Iron & Wine, and Derek WebbAt a glance … Jon Foreman's seasonal series falters slightly with the Spring EP, but bounces back with Summer as the projects all ultimately prove him capable of introspective and eclectic songwriting outside of SwitchfootTrack Listing

Spring

March (A Prelude to Spring) Love Isn't Made In My Arms Baptize My Mind Your Love Is Strong Revenge

Summer

A Mirror Is Harder to Hold Resurrect Me Deep in Your Eyes Instead of a Show The House of God Forever Again

Spring and Summerfinishes a review that started 6 months ago with Fall and Winter. Recall that Jon Foreman started his series of six-track EPs to offer material that seemed too soft and personal to record as Switchfoot. With the band's blessing (and at times, assistance), Foreman tackled a lo-fi, indie folk approach that at times recalls Elliott Smith, Iron & Wine, and Derek Webb. Whether you prefer to download each EP separately or purchase the two separate digi-packs in stores, it all amounts to a sort of double album with 24 songs.

The first two EPs were very well received by fans; some would argue they're better than Switchfoot's most recent albums, Nothing Is Sound and Oh! Gravity. But unlike before, there are now expectations for these final two EPs. Do they, like Fall and Winter, reflect the sound and mood of their respective seasons? Do they pick up where the themes of death and hopeful sadness left off, offering songs about renewal and new life? In short, do they measure up?

p>Mostly so, though Spring starts off rather shaky. Not that "March (A Prelude to Spring)" fails to typify the season with its quirky waltz driven by horns and strings (think Over the Rhine). But the overly whimsical sound is mismatched with sad lyrics marking the end of a relationship, and at 83 seconds, it's simply not memorable. "Love Isn't Made" would have served as a stronger start with an opening swell evoking the anticipation of spring, but it never quite comes alive either, and ends up another bittersweet song about the difficulties of love, offering some hope in its challenge to keep at it. "In My Arms" is similar, using a hushed acoustic style to express the longing and perseverance of love.

Though not all that bad, these songs feel a little half-baked compared to the previous EPs. Spring finds its way beginning with "Baptize My Mind," built on a vibrant acoustic guitar riff with lyrics that seem more on track with the theme: "For a seed to give birth to life, first it must die." With a soaring combo of acoustic guitar and strings, the worshipful build of "Your Love Is Strong" is clearly based on the Lord's Prayer, as well as other teachings from Jesus. Then comes "Revenge," a more stripped down and contemplative version of Switchfoot's b-side from their Oh! Gravity sessions. A smartly written song with poetic lines concerning the significance of Christ's death—"That's when the irony hit me/That this was revenge/That love had descended and stolen our pain away"—but again, does it really evoke spring? (Granted, Good Friday is a part of spring.)