There are many reasons to love a good father/son movie. Fathers so often get the shaft in pop culture and on the big screen. “The Pursuit of Happyness” not only gives us a strong portrayal of a loving father, but an uplifting lesson in perseverance and being happy even when life is rough.
Much like the more vintage Disney fare (think “Bambi”, “Cinderella” or "The Little Mermaid" ), “Happy Feet” succeeds by creating memorable characters that viewers can’t help but care about.
Alfonso Cuarón’s Children of Men tells a story of a woman with child, societal prejudice, and hope for a better tomorrow. But unlike the Bible’s nativity story, this account is set in the future, where the concern is physical, rather than spiritual.
Rocky’s back – although sweet Adrian is gone. And, although you’re probably bracing yourself for another bad sequel, as I was, you’ll be pleasantly surprised at this final episode in this series.
- March 23, 2007 |
Thankfully, a winsome, compelling, well-crafted movie that brings the real story of Christmas to life for the whole family is releasing this week in theaters. “The Nativity Story” is a sure bet to edge out the shallow, same old “pretend-Christmas” offerings.
Remember the stories of when valiant men rode fierce dragons to conquer evil and keep the empire safe? “Eragon” now brings such a tale to the big screen in living color with “Star Wars” meets “The Lord of the Rings” science fiction that’s terrific family entertainment for the holidays.
"Everyone's Hero" was the dream of the late Christopher and Dana Reeves. Throughout the film, it is clear they wanted to inspire children to value little life experiences along the road so that, if handled properly, they can all help when life calls us up to bat.
As with its cousin, “Super Size Me,” which focused on the dangerous health issues connected to fast food consumption, you don’t need to be a vegetarian to be horrified by “Fast Food Nation.” You may still become one, however, after seeing this.
For the currently unattached or those who’ve been there before, “The Holiday” is heartwarming, relatable and occasionally laugh-out-loud funny - even if the premise itself requires a little suspension of disbelief and includes a strong worldly view of sexuality.
Bond is back. In Casino Royale, the killings are overt, and Bond endures torture on the outside while showing an uncharacteristic vulnerability on the inside (when it comes to women). It's a new, gritty and real Bond – but is that what we really want?
"Borat" intends to offend, in order to reveal our deepest prejudices. The film also has a strong message about stereotypes and the subtle racism that still exists in our country. But to get there, we have to wade through a lot of nudity, foul language, scatology and crude humor.
- March 08, 2007 |
Like Jim Carrey in “The Truman Show” and Adam Sandler in “Punch-Drunk Love,” funnyman Will Ferrell sets out to prove that he can be serious if the script calls for it, too, (take that Ron Burgundy!) in the whimsical tale “Stranger Than Fiction.”
- February 27, 2007 |
With a very humanistic tone, "A Good Year" seems to imply that trading the fast life for a more leisurely pace is the big answer. And yet we know that that kind of existence - if it’s only about women and wine as it is in this film's scenario - is also empty in the end.
- February 27, 2007 |
While recent film, “The Illusionist,” was rather slow-moving, maudlin and didn’t offer much payoff after all the tricks were done, “The Prestige” is a deliciously deceptive tale of revenge that keeps you mesmerized for more than two hours.
Many say kid flicks have gone straight into the toilet. “Flushed Away,” however, is not filled with “potty humor.” While the humor is dry at times, befitting its British origins, the movie also has a crass quality that feels all too American.
What if someone like Jon Stewart beat the odds and was elected president? "Man of the Year" provides that premise, but in order to work, the script would actually have to be funny, and trust me, this story is really short on laughs – even with Robin Williams in the starring role.
“School for Scoundrels” is based on a novel by Stephen Potter and a 1960 screenplay by Hal Chester and Patricia Moyers. Unfortunately, however, the adaptation doesn’t work. What should have been either dark or funny simply comes across as horrendously cruel.
- February 16, 2007 |
With “The Departed,” director Martin Scorcese's passion returns in spades. But the film is, like so many other Scorcese-directed works, overly long, terribly profane, brutally violent and extremely dark.
- February 13, 2007 |
The real problem with "The Grudge 2" is the script, which is a redundant rehash of the first. It wasn’t great to begin with and now it’s worse. And again, that’s assuming you like watching people being murdered and terrified to begin with. And that, my friends, is the crux.
- February 12, 2007 |
A meditation on Pilate’s question, “What is truth?”, "Flags of Our Fathers" attempts to demythologize the moments we hold dear as a country - in this case, the image of five Marines and a Navy corpsman during World War II (1945) raising the American flag on the island of Iwo Jima.
- February 06, 2007 |