The Hours Movie Review
- Tuesday, December 31, 2002
Genre: Drama, Romance
Rating: PG-13 (for mature thematic elements, some disturbing images and brief language)
Release Date: December 27, 2002 (NY, LA; wide release: January 17, 2003)
Actors: Nicole Kidman, Julianne Moore, Meryl Streep, Allison Janney, Ed Harris, Claire Danes, Toni Collette, Eileen Atkins, Stephen Dillane, Charley Ramm, John C. Reilly, Miranda Richardson
Director: Stephen Daldry
Special Notes: Kidman went through a major transformation having not only her nose completely changed (a prosthetic nose), but her hair and eye color as well. Most people won’t even recognize her.
Plot: This is a story based on the Pulitzer Prize-winning novel by Michael Cunningham, which focuses on the author Virginia Woolf and her struggle to write her famous novel, Mrs. Dalloway. As the story unfolds we see Woolf (Kidman) battling with her depression and frustration while trying to write her book and simultaneously we are introduced to two other women. Moore plays a housewife who seemingly can’t deal with her role as a housewife or a mother in the year 1949. Streep plays a present day woman who is throwing a party for a friend (Harris) who’s dying of AIDS.
Good: This is an interesting and thought-provoking movie brilliantly directed by Stephen Daldry (Billy Elliot). The fact that the story spans the 20th century and links three women’s lives by Woolf's novel makes it an unusually creative format to begin with. But, add the talented cast of Streep, Kidman, Moore and Harris and you have the ingredients for Oscar material. Streep is quite simply one of the most incredible actresses Hollywood has to offer. Her character goes through the biggest and most dramatic emotional journey of the story and her touching, even heartbreaking portrayal of a lesbian woman who obviously can’t accept the fact that her best friend/one time lover is dying of AIDS, truly moved me. The relationship between she and her daughter (Danes) is the most grounded and “normal” of any of the characters, but it’s her intimate moments with Harris (who does a phenomenal job with the small role he’s been given) evoke the most emotional moments of the film. Bring tissues for her scenes--they are that good. Moore plays the more emotionally disturbing role. Her character is a woman who seemingly loves her husband and young son and tries to be a good housekeeper at a time when that role defined women. But as her story progresses, we see her character contemplate suicide as she grapples with depression after realizing she doesn’t want to be a wife to her sweet and loving husband (Reilly) or a mother to her observing and attention-starved son. Kidman’s role is one of the more pivotal and important ones because her character sets the stage for the entire story. Although I could never get past staring at her nose every time she was on screen and being overly intrigued and aware of the special makeup they used in trying to make it look real, still Kidman delivers an incredible performance of a woman deeply disturbed and tormented by her own demons of depression (probably brought on by hormonal or chemical imbalance) and unable to cope with her life. As the minutes tick by, what you end up with is a beautifully filmed movie with an interesting (but emotionally disturbing) story that has an incredible cast, a great musical score, and “Oscar contender” written all over it.
Bad: However, just because this is a movie critics will love, doesn’t mean it’s one that audiences will take to. This is NOT an upbeat movie with a happy ending. It’s an introspective, sad and depressing look at three women’s lives that were linked in an interesting and profound way by a novel, Mrs. Dalloway. Men probably won’t enjoy this movie as much as women will but still there are several issues some women may object to. How many women are unhappy with who they are and with the lives they are living? How many women secretly feel they are bad mothers, wives or friends, and don’t enjoy the role or path they’ve chosen or have been given in life? How many women don’t get help when they feel ashamed for their problems and give up on living as a result of their feelings or thoughts? The real answers to these important questions (that I’m sure this film will raise) lie in a Godly message that you won’t get from this movie. In fact, nowhere in the story is there a positive, helpful, or hopeful solution to the dilemmas these characters face. Just an introspective look at three women’s lives who needed answers and tragically, didn’t get them. Aside from language and religious profanity there are several adult issues that make this PG-13 movie definitely for adults only. There’s dialogue about suicide, death and a lesbian relationship, as well as a couple of kissing scenes. Streep gives a long kiss on the lips to her “partner” (Janney) and Moore kisses a friend (Collette) who comes over to her house to visit. There are two suicides (one by drowning and one jumps out of a window) that aren’t graphic, but they are sad and disturbing.
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