In Duplicity, the banter between Julia Roberts and Clive Owens is too sporadic, held back by the film’s stop-and-start quality which hinders the emotional bond that might have formed between the audience and the stars.
- March 20, 2009 |
Instead of shooting for a straight remake, filmmakers prefer to call the latest installment a "reimagining." And given the slightly cheesy, low-grade special effects of Race to Witch Mountain’s predecessor, that's probably accurate.
- March 13, 2009 |
Dark and violent, Watchmen one-ups last year’s blockbuster, The Dark Knight, in explicit imagery, and it cannot be recommended. However, the story has potent themes that will resonate with viewers and demand discussion.
- March 06, 2009 |
Street Fighter should be a martial-arts extravaganza, but the fight scenes are infrequent, unsurprising and dull. Blame that on director Andrzej Bartkowiak, who in 2005 helmed the forgettable Doom.
- March 02, 2009 |
The popularity of Jonas Brothers rivals that of The Beatles back in the day (in the U.S. anyway). It’s a fact that’s not entirely lost on the band as a clip from the Fab Four’s first full-length movie rolls in the background of one scene of Jo Bros' first movie.
- February 27, 2009 |
Not only is Confessions of a Shopaholic a cautionary tale of excess gone seriously awry, but it’s a colossal embarrassment to my gender. With a heroine so self-involved that she makes ditzy Elle Woods (of Legally Blonde fame) look like a Rhodes scholar in comparison, it's woefully misguided from the start.
- February 13, 2009 |
Literary thrillers are a staple of airplane rides and beachside vacations. The International is their cinematic equivalent, and though it’s as instantly disposable as those paperback counterparts it’s also as equally riveting.
- February 13, 2009 |
Considering that the source material was a relatively short, best-selling self-help book, He's Just Not That into You serves as an insightful yet equally disturbing barometer of our culture's perspective on relationships.
While the originals in The Pink Panther series were fueled by comic inspiration, invention and wit, the contemporary rip-offs are barely even trying. The difference is best exemplified by comparing Peter Sellers' Inspector Clouseau and Steve Martin's pale imitation.
While not as funny as Bolt, Hotel for Dogs is ultimately more substantial than Beverly Hills Chihuahua and doesn't require Kleenex like Marley & Me. That should please parents, while kids get another helping of delightful doggie antics.
Edward Zwick’s films feel like they’re more interested in making $100 million than anything else. Defiance is no different as it reduces life’s horrors to genre elements, taking it as an opportunity to shoot bad guys and blow things up real good.
A work of rigor and discipline, Che stands as a major achievement from a very talented filmmaker—not a traditional Hollywood entertainment or biopic, but a film that captures a revolutionary spirit far better than it does the essence of any one man.