Writer-director Tamara Jenkins has created a wise and thought-provoking film about facing the truth and taking care of our parents, even when they haven’t taken care of us. It’s also about what it’s really like to grow old and die—a subject we will all eventually come to know, if we haven’t already.
Former Saturday Night Live star and screenwriter (of Mean Girls) Tina Fey has perfected the role of a successful working woman who longs for a baby in her role as Liz Lemon on the NBC sitcom 30 Rock. Now Fey finds similar success with Baby Mama.
Instead of opting for the oh-so-informative documentary or an intense political thriller to address the hot-button topic of illegal immigration, The Visitor goes straight for the heart with an emotionally compelling drama.
If those who write off intelligent design as nothing more than conservative, right-wing rhetoric would be willing to put aside their notions, they may be surprised by the provocative dialogue that’s been initiated in Expelled: No Intelligence Allowed.
The Forbidden Kingdom brings together for the first time ever, Jackie Chan and Jet Li. Despite a storyline that’s about 20 percent plot and 80 percent fighting, kung fu movies have proven to be hits in America, and this one should be no exception.
88 Minutes doesn’t offer much to recommend. Like the Diane Lane thriller Untraceable from earlier this year, it’s a mediocre, at times distasteful thriller that isn’t its lead actor’s finest hour. But like that film, the presence of the star makes the film better than it might have been otherwise.
The Life Before Her Eyes suggests potent themes, but settles for a surface resolution that feels like a gimmick. In the end, it is reduced to a third-rate M. Night Shyamalan twist rather than rising to the largely unexplored Bergman-esque spiritual drama at its core.
If you’re squeamish about blood, there’s little to worry about there in Prom Night, a remake of the campy 1980 horror flick by the same name. For anyone who has actually seen the original, there’s surprisingly little resemblance.
Based on a screenplay co-written by James Ellroy, Street Kings is a punishing film that wastes its talent on extensive and excessive shootouts and acts of sadism. And they have, sadly, become so common on screen that they’ve lost their power to shock.
Taking its cues from fast-talking screwball comedies of years past, Leatherheads is a sports-themed battle of the sexes that largely succeeds because of the chemistry of its leads—George Clooney and Renée Zellweger.
Winning big isn’t that easy, unless you happen to be a math whiz with a knack for counting cards. Based on the true story of MIT students who actually managed to beat the Vegas system, 21 is a slickly crafted cautionary tale of greed and gambling.
Stop-Loss, the latest in a growing line of disappointing dramas about the Iraq war, centers around the flight of an AWOL soldier. On the day he thinks he’s returning full-time to civilian life, he’s told instead to head back to Iraq.
With the basic elements of most Lifetime made-for-TV movies, a slow-moving Sleepwalking keeps getting worse as the minutes tick by. Not only is the writing formulaic, but the situations are so unbelievably horrible that even when redemption seems in sight it never materializes.