More than just the beginnings of arguably the world’s most well-known and respected evangelist, Billy: The Early Years is the story of two friends, of two roads taken and of two ways to make a biopic.
- October 13, 2008 |
Keeping the pace fast, City of Ember plays out like The Goonies meets National Treasure with a twinge of science fiction. The constant twists and turns of the plot, and its inevitable intrigue, will easily hold your attention for an hour.
- October 10, 2008 |
Body of Lies is not up to Ridley Scott’s best work, but the performances—especially from Leonardo DiCaprio—are strong. The result is a film that seriously examines U.S. foreign policy while still managing to entertain.
- October 10, 2008 |
Those who are looking for mainly inoffensive entertainment, and don’t mind weak attempts at humor, may enjoy Beverly Hills Chihuahua. But those looking for something better than a retread of themes from better films are advised to stay away.
Michael Cera’s latest role as the Nick of Nick and Norah’s Infinite Playlist, floats across the screen like it was written just for him—showcasing his unpretentious charm and carrying an otherwise forgettable movie.
Even with a compelling backdrop and a strong performance from Greg Kinnear, languid pacing and unimaginative, heavy-handed presentation prevent Flash of Genius from being anything more than a flash in the pan.
Clocking in at 160 minutes, Spike Lee’s Miracle at St. Anna wants to be so many things—a rewriting of history, a war movie, a murder mystery, even a heartstrings-tugging melodrama—that it doesn’t do anything particularly well.
Like 2004’s The Notebook, an adaptation of author Nicholas Sparks’ best-selling book, Nights in Rodanthe is a tearjerker. But unlike its predecessor, this film labors under a plodding pace and melodramatic, made-for-TV storyline.
Director D.J. Caruso and star Shia LaBeouf have paired up again for Eagle Eye, a techno thriller that tries to meld social critique with popcorn thrills. The result is an unsettled and unsatisfying mix that gets by on the energy of some breathless action sequences until it resolves the film’s central mystery.
For a film that shows characters making so many honorable decisions, Fireproof is simply no more exciting than an episode of Seventh Heaven. It's hard to say whether the importance of the film's message outweighs the lackluster filmmaking. That is for viewers to decide.
A metaphor common to period pieces is how opulent exteriors often mask sordid realities. It’s certainly a staple of The Duchess, although the metaphor isn’t restricted to the film’s themes. It expands to its quality as well.
- September 24, 2008 |
If it wasn’t for the success of the recent Sex and the City on the big screen, chances are The Women, a remake of the 1939 classic that’s been in the works for over a decade, probably wouldn’t be playing at a theater near you as we speak.
Righteous Kill stars two of the most revered actors of their generation: Robert De Niro and Al Pacino. Not since Heat have the men shared a scene. But those hoping for acting fireworks here will need to wait for their next joint appearance.
A blatant attempt at parody, Burn After Reading is a send-up of modern Oscar-bait conspiracy thrillers like Michael Clayton and Syriana. And interestingly enough, also stars George Clooney (star of both those films).