Is The Golden Compass a threat? Will it lead children away from a personal knowledge of God? Or, will it become a key opportunity to talk to children about the real adventure of knowing a living God who wants to know them in a personal way?
Grace Is Gone is one of the first films about the Iraq war to explore the death of a female soldier. Another unique element is its focus on the family—a worthy subject that hundreds of thousands of families of deployed members are sure to appreciate.
Directed by Joe Wright, Atonement is both sumptuous and satisfying. With the exception of the gorgeous English scenery and attractive lead actors, however, there’s little else about the flick that’s truly memorable.
Although these films couldn’t be more diametrically opposed in terms of sheer crudeness, there’s been a decidedly pro-life theme running through several flicks this year: Knocked Up, Waitress and now, this month’s Juno.
- December 05, 2007 |
Awake is writer/director Joby Harold’s first effort, and unfortunately his inexperience bleeds through. The plot is rife with inconsistencies and makes so many mistakes that few will find it credible.
- November 30, 2007 |
In his first English-language driven project, award-winning Hong Kong director Wong Kar Wai has created a movie that, despite its lush visuals, is only mildly interesting. The acting is good, but this isn’t enough to give depth to a film with such a slow narrative and clunky dialogue.
- November 28, 2007 |
Enchanted is a completely adorable, delightful movie whose packed screening audience of little girls ages four to fourteen gave it a rousing applause at the end. The story wraps up in a compelling way, hinting that the good life just might be a healthy mix of both seasoned reality and fairy tale dreams.
August Rush is pure Hollywood magic. But if you’re willing to suspend your disbelief, sit back, and enjoy, then the rewards are many. And if you’re like me, you’ll probably even tear up, so you may want to bring some Kleenex along for the ride.
Everyone longs for hope beyond the pain of broken relationships in Margot at the Wedding. But watching such a dismal spectacle is like listening to the clamor of a discordant harmony. It’s uncomfortable, depressing, and you just want it to end.
Redacted takes its plot from a recent incident in Iraq. Director Brian De Palma loves to push the cinematic envelope, and this project is no different. Here, he toys with the medium in order to make a statement about it. He’s also very, very angry about the war.
This holiday season, Walden Media brings our kids Mr. Magorium’s Wonder Emporium—a delightful movie that, though it contains some faulty worldview elements, will spark their imagination and teach them a few lessons about loving and living.
Love in the Time of Cholera spans 50 years, so adapting this novel to the screen was a formidable undertaking. But in the hands of experienced screenwriter Ronald Harwood and talented director Mike Newell, one would have expected something better.
When I first heard about Vince Vaughn trying to pull off a family-friendly scenario, my suspicions were on high alert. Especially when I heard that Fred Claus was directed by the same guy who did the raunchy, R-rated Wedding Crashers a couple of years ago.
Michael Moore makes a devastating point with his newest movie. He shows us that the American healthcare system has become inaccessible, ineffective and frighteningly corrupt.
Though it has a star-studded cast, Lions for Lambs is a heavy-handed, low budget, political lecture that, mercifully, only lasts about ninety minutes. When movies like this come out around election time, we should realize that such timing is quite intentional.
No Country for Old Men’s greatest asset—or liability, depending on how you interpret it—is the struggle for answers to profound questions: How can well-meaning people confront unstoppable evil? Is there any hope to do so apart from God?