Everyone longs for hope beyond the pain of broken relationships in Margot at the Wedding. But watching such a dismal spectacle is like listening to the clamor of a discordant harmony. It’s uncomfortable, depressing, and you just want it to end.
Redacted takes its plot from a recent incident in Iraq. Director Brian De Palma loves to push the cinematic envelope, and this project is no different. Here, he toys with the medium in order to make a statement about it. He’s also very, very angry about the war.
This holiday season, Walden Media brings our kids Mr. Magorium’s Wonder Emporium—a delightful movie that, though it contains some faulty worldview elements, will spark their imagination and teach them a few lessons about loving and living.
Love in the Time of Cholera spans 50 years, so adapting this novel to the screen was a formidable undertaking. But in the hands of experienced screenwriter Ronald Harwood and talented director Mike Newell, one would have expected something better.
When I first heard about Vince Vaughn trying to pull off a family-friendly scenario, my suspicions were on high alert. Especially when I heard that Fred Claus was directed by the same guy who did the raunchy, R-rated Wedding Crashers a couple of years ago.
Michael Moore makes a devastating point with his newest movie. He shows us that the American healthcare system has become inaccessible, ineffective and frighteningly corrupt.
Though it has a star-studded cast, Lions for Lambs is a heavy-handed, low budget, political lecture that, mercifully, only lasts about ninety minutes. When movies like this come out around election time, we should realize that such timing is quite intentional.
No Country for Old Men’s greatest asset—or liability, depending on how you interpret it—is the struggle for answers to profound questions: How can well-meaning people confront unstoppable evil? Is there any hope to do so apart from God?
At a time when one can’t pronounce the word “Darfur,” documentaries about the ongoing genocide in this African region are a welcome relief. But as needed and as well intentioned as this is, unfortunately Darfur Now falls far short of its potential.
- November 07, 2007 |
I admit that I didn’t really want to like Bee Movie. Like so many films that are overly hyped, I assumed that any redeeming value was probably sacrificed for the bottom line. But that’s the funny thing about jumping to conclusions—sometimes you’re wrong. And I was definitely way off with this one.
Reservation Road take on issues of loss, grief and the ways in which we cope with the sudden death of a loved one. While not without merit, it has a few too many bumps. Steer clear for now, but this one may be worth catching on home video.
While “extraordinary rendition” is certainly a provocative topic in a post 9/11 world, the team behind Rendition doesn’t mind choosing the most simplistic, even manipulative, methods to getting its message across.