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Christian Music - Reviews, News, Interviews


  • reviewed by Andree Farias Copyright Christianity Today International
  • 2006 1 Nov
Sounds like … Andrea Bocelli, Josh Groban, Ill Divo, Steve Green, and other vocalists with a classical flair in their pop musicAt a glance … a change of pace for the multifaceted worship leader, Found is a grand and elegant foray into the realm of classical popTrack Listing Falling I'm Over Found 2,000 Years Sanctus In Rest Annie's Song Your Word Is Life to Me Largo (My Prayer) We Long for You Forevermore (Psalm 145) God Leads Us Along

His first break came as worship leader at Beth Moore's Living Proof conferences, but we first caught wind of Travis Cottrell with two knockout projects he recorded with Integrity Music—2003's Unashamed Love and 2005's Alive Forever. Both albums were the epitome of blended worship, that is, the combination of traditional, contemporary, modern, choral, and gospel tendencies into a cohesive whole. But what's more, they proved Cottrell is a versatile leader all-around, unafraid to be all things to all people.

With that résumé on hand, it comes as a bit of a surprise that Found, Cottrell's debut for Indelible Creative Group, is not a worship album in the strictest sense of the term. Instead, Found is a bold incursion into classical pop—think Josh Groban, Andrea Bocelli, and vintage Steve Green. Cottrell says he always wanted to sing opera, but that God had a different plan. Now that the timing is right, he's teamed up with producer Kent Hooper and made the album of his dreams: grand, extravagant, symphonic and operatic.

Everything about Found is, in a way, drawn from a neo-classical playbook—orchestrated grandeur ("Falling"), Middle Eastern flourishes ("2,000 Years"), a boys' choir ("Sanctus"), pop undercurrents ("Your Word Is Life to Me"), dramatic buildups ("We Long for You"), and an adaptation of a classic ("Largo")—but it all complements Cottrell's vibrato-rich tenor so well, it's nearly impossible to make a case against it. In today's Christian music climate, Found outdoes the rest in terms of splendor and class.

The majesty, however, isn't sustained throughout. A few selections verge on new-age pop ("I'm Over") or inspirational ("In Rest"), favoring programming and minimalism over live instrumentation and bombast. But these distractions—which happen early in the course of the album—are negligible, quickly dissipating and giving way to the spirit and song of Found, a marvelous, breathtaking tour de force from a significant name in worship music … and now vocal pop.

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