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<i>Revolutionary Road</i> Kicks the American Dream to the Curb

Revolutionary Road Kicks the American Dream to the Curb

Jeffrey Huston

Crosswalk.com Contributing Writer

DVD Release Date:  June 2, 2009
Theatrical Release Date:  December 26, 2008 (limited); January 16, 2008 (wide)
Rating:  R (for language and some sexual content/nudity)
Genre:  Drama, Adaptation
Run Time:  119 min.
Director:  Sam Mendes
Cast:  Leonardo DiCaprio, Kate Winslet, Michael Shannon, Kathy Bates, David Harbour, Kathryn Hahn

Having a stable job, healthy family, and nice home in a pleasant neighborhood may be the worst kind of life.  A pregnancy and job promotion aren’t blessings; they’re curses.  And if you’re the wife who must endure the inhumane torture of having all of your basic needs met and more—with a husband (though imperfect) who’s genuinely working and sacrificing all that he can to build a good life—well you’re obviously serving a life sentence. 

If that’s your life but you were oblivious to how bad off you really were, well now you can thank Revolutionary Road for your current enlightenment.  Ah, we all can see clearly now!  Suburbia is the place where passions go to die.  Homes are elaborate tombstones in the Cemetery of Dreams.  But wait, maybe there’s still hope.  Quit your job!  Forego that promotion!  Blow your savings!  Run off to Paris!  Heck, have an abortion if you must!  But please, for the love of Humanism, get out of there at all costs!  Before it’s too late!

This is the vision of post-WWII America in Revolutionary Road, an American Beauty: 1950s Edition, if you will.  Linking those two films is an apt thematic comparison, and especially fitting since both share the same director, Sam Mendes.  He won an Oscar for staging that overrated load of hogwash, and now like a pig returning to the trough he’s back for more.  Oscar voters may very well be willing to slop that up again (some love nothing more than a good ole preachy indictment of Middle America!), but don’t be fooled if they do.

Sure, it’s set a couple of generations back (as it’s based on Richard Yates’ acclaimed 1961 debut novel, though clearly there’s a desired contemporary relevancy here), but if you want to see universal mid-life struggles and regrets explored, set in the same time period examining the exact same themes—but done brilliantly—you can find it on TV.  It’s called Mad Men.  But this?  It depicts Normalcy and simplifies it to the point of judgmental contempt in a heavy-handed sermon about the unmerciful hell that is Suburbia.

Revolutionary Road juxtaposes the idyllic image of the American Dream with the deterioration of a marriage that has become an absolute nightmare—via an ironic casting reunion of those Titanic stars Leonardo DiCaprio and Kate Winslet as the doomed couple Frank and April Wheeler.  All of the elements of “How to Make an Important Film” are there:  rocky marriage, problems at work, temptations of infidelity, dreams unfulfilled, all suppressed behind the veneer of the aforementioned American Dream—set to a melancholy music score, of course.  No cliché is left unturned.

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Most Recent User Comments
dboe
2/6/2009 6:51 AM
It seems that this movie is "so bad" because it portrays how leaving women out of the workforce can damage relationships, this was true in the 1950's regardless of whether or not its a popular idea. When women are not allowed to express their identity, when they are forced into certain "roles" based on gender, bad things happen. But everyone likes to thing everything was so perfect in the 50's, not so. It was his refusal to see beyond the immediate and care about a person (April) more than what society tells you you should be that so enraged April, and its a good thing she was, because its women like her that got us the vote, helped us go to medical and graduate school, and let us create a life in the workforce. I'm grateful to Yates for writing the book and to these two actors/actresses for reminding us why we have it so good now, whether we believe to see that or not, we may have our problems but this oppression of women, at least is coming to an end.
singsojourner
1/28/2009 1:24 PM
I agree with another post that as Christians we aren't called to live a 'suburbia' life but a 'sold-out' for God life. A life that is revolutionary. I can see being 'numb' with suburbia living if you have no sense of purpose and if your life has no true meaning. Escaping suburbia is not the answer per se but becoming radical in seeking purpose and meaning is. Ultimately seeking out the Lord and finding meaning and purpose in Him is what you should be after. Since we know that Hollywood isn't as a whole God-fearing I am not surprised that the film isn't supporting seeking true life which is in the Lord. Finding meaning in living a life that throws caution to the wind and living in Paris is probably the closest they can get which shows their ultimate depravity.
JonahsDive
12/29/2008 4:15 PM
I have to agree with the review. I get a little angry when Hollywood so blatantly mocks the values of regular working folks, trying so hard to convince us that 50's middle class contentment was somehow a cover-up for oppressive conformity and was boiling with hate and fear underneath.
More likely, this reveals the mind-set of the director -- that the only path to significance in my life is to reject my job, my family, (and America) and pursue the artistic elite who are obviously better than the rest of us.
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