- I Choose You
- Down
- Who Am I
- Worthless
- Justified
- God Is in It
- Make It Real
- Do It Again
- Waiting in the Wings
- For All You've Done
- Arrival at the City
- Me Again
- This Is Your Land
With more than 5 million albums sold and an astounding 24
Still, Shelley Breen, Heather Payne, and Denise Jones decided to continue, adding the vocals of Leigh Cappillino, a former member of Truth and a featured worship leader from the Women of Faith conferences. She's a fine replacement for the group, but more interestingly, Point of Grace sees the lineup change as an opportunity to slightly alter their sound for their latest studio effort,
Actually, it might surprise Christian music fans to learn that half of
The problem is Point of Grace hasn't stepped far enough outside of the box to attract non-fans (or new ones), yet perhaps just enough to alienate some of their soft adult contemporary base.
More frustrating are the songs, which sound uninteresting and lack depth despite the different crop of songwriters. "Down" is a slightly funky soft rocker about trying to reconcile the mysteries of God with rational thought, and "Whom Am I" similarly wonders with humility what we really know relative to the Almighty. There's a ballad that blandly reveals that our lives are "Worthless" without Jesus in our lives, "God Is in It" basically lifts Philippians 4:8-9, and "Justified" is a simplistic summary of grace and forgiveness. The title track begins promisingly, observing that "everybody's worshipping something" in the world today, but then it becomes another flimsy declaration of worship.
Some cuts do work a little better, like the cover of Dana Glover's soulful "Make It Real." It's got a good Southern roots pop sound, but it's soaked in generalities: "Open your heart/'Cause that's when you start to truly feel." "For All You've Done" fares better as a gently recorded hymn with thoughtful lyrics: "Oh cleanser of the mess I've made/Your boundless love for me portrayed/I watch as all my cares erode/And from my soul these words explode." And the album wraps up with "Arrival at the City" and "This Is Your Land," a somewhat artful and ethereal vision of heaven that starts with a reading from Bunyan's
It's often been said that music like this is intended to "preach to the choir," but that's too often used as an excuse for weak and lightweight material. There are just too many examples of better-crafted pop written for the Church. With their slightly stripped down sound,