- You Drive, I'll Ride
- You Love Me Anyway
- Without You
- Still the Cross
- You and Only You
- The Long Haul
- In This Moment
- Cover Me
- All Part of the Walk
- Another Day with You
I've heard three different types of criticisms: First, despite FFH's terrifically tight harmonies, some just don't like the vocal quality of lead singers Jeromy and Jennifer Deibler. There's not much they can do about that, though I submit that Jeromy is no more "nasal" than Michael W. Smith. The other two critiques pertain to content. Some have said FFH's songs are too trite and routine-an example of what's wrong with Christian AC radio. And some have said that the band's sound has quickly become predictable and formulaic, to the point where it obviously spilled over into Jeromy Deibler-produced debuts from Big Daddy Weave and Palisade.
It's in these last two points that FFH deserves some newfound praise and recognition. Having already taken a step in the right direction with 2003's
This album sounds less like they're writing for Christian radio and more as if they're creating music with greater freedom and a broader sonic canvas. Produced by longtime collaborator Scott Williamson (Point of Grace, Lincoln Brewster) and a few by Mark Miller (Sawyer Brown, Casting Crowns), the album better reflects their live concert sound than before. The songs are distinct from each other, playing with vocal effects on each to add character and color. The songwriting has improved too, with more straightforward and introspective lyrics that rely
I can understand skepticism at this point, but check out "All Part of the Walk," which features a bouncy Beatle-esque beat driven by an irresistible boogie-woogie bar piano, some fun harmonies, and a jarringly different bridge. Jeromy claims that Huey Lewis was the inspiration for the catchy pop shuffle of "You and Only You," written for the Deiblers' new baby boy, but it actually sounds like a lost track from Smith's
Now that three of the members are parents, it's no surprise that some of the songs have focused on love and loss pertaining to familial relationships. "The Long Haul" is a simple love song about lifelong commitment that makes its point well with a terrific power ballad sound, while "Another Day with You" offers the same quirky from-the-heart delivery that characterizes Steven Curtis Chapman's songs: "Maybe it's the way you smell/A dream come true from a wishing well/A millions things so I can't tell/Just another day with you." Written as a response to the death of a close friend's little boy, "Cover Me" pairs melancholic-yet-hopeful lyrics with a dark guitar pop sound reminiscent of Smith's