- Skydive
- The Foster
- Rats in the Cellar
- Cinematic
- I'm Not Ready
- Sequence #3
- Friendly Jas
- I'm Not Running
- The Zombie Song
- Rest for the Weary
- The Fires of Life
Tennessee trio Cool Hand Luke arrived on the national Christian music scene in early 2003, a breath of fresh air amid bland and formulaic Christian rock bands vying to be the next Creed or U2. Although this band has been likened to the atmospheric melodic art rock of the oft-compared Coldplay and Radiohead, in this rare instance, the comparison holds.
Now comes
The opening three tracks quickly establish Cool Hand Luke as an art rock band to be reckoned with. "Skydive" perfectly captures the dark melancholy of Radiohead and Pink Floyd, conveying the angst of one desperate enough to fall into the arms of Jesus. It's a powerful beginning and an appropriate lead-in to "The Foster," which finds peace in the still small voice of the Lord: "The wisest words I ever heard came with a gentle wind/Though it didn't hit me then/It made no sound 'til no one was around/Then it blew me to my knees/And handed me the keys." If there are any doubts about this band's ability to mimic Radiohead, check out the dark and moody "Rats in the Cellar," about our pervasive sinful nature and the basics of grace, inspired by C.S. Lewis's
Which brings us to two of the album's best tracks. The beautiful ballad "Cinematic" marvelously expresses Christian faith and our relationship to Christ as a film: "I want to live in such a way/That when I'm gone my friends would say/That if my life was turned to film/I'd be standing on a mountain shouting victory in the end/But in my heart I know it's only true/If I'm a supporting actor and the Oscar goes to You." Nicks further expresses questions about his faith by adding, "What if it ended here?/What if the credits rolled now?/What would the critics say?/Would it be the biggest letdown?" Nearly as powerful is "I'm Not Ready," addressing the magnitude of Christ's sacrifice and the need to put our selfish ways aside: "Every time I read that story again/I wanna run and take the nails out/You remind me that those nails are mine/Once and for all to the end."
All starts well with
This album begins so powerfully yet ends so sluggishly. Cool Hand Luke badly needs to find variation in their sound, you'd think everyone involved would recognize the stylistic monotony, especially considering this band's metal and hard rock beginnings. Then again, when the art rock and lyrics are done this well, it understandably overshadows the album's weaknesses.