- Stretched Over
- When Fire Falls
- 10,000 x 10,000
- The Last Time
- Perfect Obligation
- Tethered
- Godray
- (interlude)
- A New Language
- Nothing Is Safe
- We Will Be Disappointed Together
2005 is proving a great year for modern/indie rock in Christian music; here's yet another relevant, timely sounding album. The origins of The Myriad can be traced back to the turn of the century, when Jeremy Edwardson (vocals, guitar), Jonathan Young (guitar), and John Roger Schofield (bass) played together in a number of bands around California. In 2001, they decided to pursue a new direction by moving to Seattle. There they teamed with Steven Tracy (guitar, keyboards) and Scott Davis (drums) to form the band that exists today. Recording independently and touring with the likes of Blindside and Further Seems Forever, they quickly made a name for themselves in the Northwestern U.S. and at the 2004 Cornerstone Festival, signing with Floodgate soon after to release
Musically, this national debut is kicking, thanks in no small part to producer Aaron Marsh (Copeland). Both melodic and alternative, the band resembles Delirious if they embraced more of their avant-garde indie side like Radiohead, Lovedrug, or Anberlin—"Nothing Is Safe" in particular reveals the chilling and dissonant style of
Indeed, the band sounds terrific, sure to appeal to fans of the growing indie rock scene. But as with many other indie rock bands, it's not always clear where The Myriad is coming from. The most obvious reference to their Christian beliefs is found in the liner notes—a thank-you to "the risen Christ." The opening tracks focus on pain and "kicked-in ribs." Who is this "she" that they're referring to in "Stretched Over?" Is it a metaphorical beating in "When Fire Falls," or a reference to the scourging in
Have patience, as the messages become somewhat clearer as the album progresses. It's not obvious who the song is directed at or what the title refers to, but "10,000 x 10,000" alludes to some sort of spiritual surrender: "Slip away with me/Close your eyes, you're free/Dreams are often lost, but heaven's not far off/And I've given all I have/And I've given my whole soul/I'm ready to go." And the band makes reference to their name in "The Last Time," suggesting it has something to do with being a light unto the world: "How can we risk not knowing the end of night?/In the hour of longing, we will spark a myriad of lights."
Much of
There's plenty to love in The Myriad's strong indie rock sound, but many will be frustrated with the abstract lyrics, which according to Tracy was intentionally done to allow "people to think about and plug in their own experiences." Consequently, this album is more emotive, apparently favoring feelings over teachings and ideas—it's only slightly more vague than Lovedrug's