Living for You

Sounds like … the stadium-sized contemporary worship of Hillsong Australia, plus the harder edge of United, Planetshakers and Lincoln Brewster. At a glance … though generally lightweight on theology, this energetic set benefits from contagious melodies, huge choruses and accessibility to spareTrack Listing Come Thou Fount, Come Thou King You, You Are God Living for You Only One for Me No Sweeter Name Every Breath Revelation Song Bound Reason I'm Alive Overtaken Pure The More I Seek You Who You Are

Long before worship music became a commodity to be exploited by well-intentioned celebrities and record labels, the church was the primary source of creative, original songs of adoration to God. It's nice to see Integrity Music continue to reclaim that worship music tradition back to the ecclesia of old, using Dallas-based Gateway Church's Living for You as the first project in an ambitious new initiative. Through their new subsidiary GlobalWorshipNow.com, the company's vision is grand: to facilitate the dissemination of worship music across the world church through a single cyber hub, one that will allow churches to pool their resources and sing each other's songs without major hassles.

It's a mega concept that's somewhat exclusive, as only pre-designated churches can contribute, but it would all be moot if the songs weren't any good. Gateway Church need not worry, as Living for You is chock-full of driving, ultra-catchy praise-and-worship anthems for the contemporary church. Gateway favors a modern worship style with blaring guitars, hard-hitting rhythm sections, and thick keyboard layers forming an impenetrable wall of sound. It's loud but never becomes a Delirious rock concert, with melody, choral infusions, and corporate accessibility take center stage.

At times this immediacy is too blatant—nearly every song seems preprogrammed to explode into a huge congregational refrain. But maybe this is just the church's trademark. Though subtlety is certainly not Gateway's gift, there's still highlights aplenty, particularly "Come Thou Fount, Come Thou King," a terrific present-day adaptation of the classic hymn. It also happens to be the theological pinnacle of the album, the remainder consisting largely of earnest sentiments that anthropomorphize God to our level. I'd be lying if I said it wasn't catchy, though.

Those quibbles notwithstanding, Living for You is still a well-conceived worship collection. In many ways, it's the album Hillsong Australia has failed to make in recent years—memorable, relatable, adaptable, and, most of all, concise.