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FaithGives
Plus
Movies at Home
The View
From Up on Poppy Hill
is Complex, Rewarding
This animated coming-of-age story is aimed more at adolescents than young children, and packs a surprising, emotional wallop.
Christian Hamaker
Sep 03, 2013
Firth, Blunt Wasted in Clichéd
Arthur Newman
It's odd to say about an independent film that there’s little originality or authenticity in this slow, self-conscious, offbeat story.
Christa Banister
Sep 03, 2013
Clever 'Gotcha' Not Enough to See
Now You See Me
Plays like a movie equivalent of a CBS procedural: high in concept, production artifice, and plot holes, while low in character depth.
Jeffrey Huston
Sep 03, 2013
Leo & Luhrmann Make
The Great Gatsby
Matter
Luhrmann captures the opulent decor and backs it with a hip-hop soundtrack that should feel out of place but works surprisingly well.
Christian Hamaker
Aug 27, 2013
The Reluctant Fundamentalist
is Fascinating but Flawed
Tense, well-acted and intriguing, but fails to complete the picture of a complicated man or a lesson about tolerance.
Christa Banister
Aug 27, 2013
Pain & Gain
: Lots of the First, None of the Second
Michael Bay's version of this true-crime story crashes and burns because, like Transformers, there’s no discernible human connection.
Christa Banister
Aug 27, 2013
Epic
Never Quite Lives Up to Its Name
With such a title, the bar is immediately set too high for what’s a fairly conventional good vs. evil battle with spectacular visuals.
Christa Banister
Aug 20, 2013
Brutal
Olympus Has Fallen
Insults Our Intelligence
Not the mindless action fun you've been hoping for. What makes the stupidity vile is the level of blood lust that fuels the good guy.
Jeffrey Huston
Aug 13, 2013
Like Redford,
The Company You Keep
Harkens to an Earlier Era
A captured fugitive says, "We made mistakes. But we were right." That’s the film’s view in a nutshell: sort of a Sympathy For Radicals.
Jeffrey Huston
Aug 13, 2013
Don't Crash
The Big Wedding
(it Crashes Just Fine on Its Own)
It’s called The Big Wedding but it’s really not about a wedding. It’s about sex (and some very unhappy people).
Susan Ellingburg
Aug 13, 2013
Derivative
Oblivion
Moves Too Slowly
For all its star power, futuristic talk and sci-fi imagery, the film is ponderous, mundane and ultimately forgettable.
Christian Hamaker
Aug 06, 2013
Love Theme Emerges Clear as
Mud
Director Jeff Nichols effectively blends genres, numerous subplots and character dynamics – and does so with emotional weight and power.
Jeffrey Huston
Aug 06, 2013
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