- Just Begun
- Closest Friend
- There and Then It's Gone
- Wax Girl
- Separation
- Olivia's Song
- Everett's Song
- This Private Room
- Goodbye
- Never Be the Same
- Gone
- Blow My Mind
- Another Day
- Final Song
After borrowing
Though PFR still gets together to perform once in a while, they have no plans to record again. But life carries on as Hanson has proven with his two solo efforts, now Andrew with his first solo album—and carrying on is as good a way to sum up this album as any.
The album opens with "Just Begun," noting how circumstances unfold in unexpected ways, but God still points us where we need to be. Then comes "Closest Friend," an intelligent musing on prayer and our relationship with Christ: "I don't just come here for the absolution/I don't just come here for a quick solution/I come believing my prayers are answered by my closest friend." When the title track arrives next, you begin to get a sense of where this album is going. This is a man wrestling with grief and tragedy, yet like Job, still living obediently for the Lord by focusing on what's most important in life: faith and family.
Andrew celebrates a loving father-child relationship in "Olivia's Song" and then again in "Everett's Song." The latter, a love letter to his son, encourages him to maintain his youthful innocence for as long as he can: "Life is little more than a play/You're gonna mess up a line or two along the way/Don't freeze up in your fear/But learn from your mistakes/And cherish every day anyway." It takes on more emotional resonance when you read that it was written before Everett was diagnosed with autism. On top of that is the acoustic "Goodbye," written for Andrew's baby daughter Chesna, who died shortly after birth on 9/11/02. Andrew sings, "This is one of those times that shapes the rest of your life/The tears are endless here for a child born to goodbyes." Yet despite the sadness, he clearly expresses the hope of heaven from Chesna's perspective. This chapter is all summarized by "Never Be the Same," a lamentation response to all the tragedy, including the 2001 terrorist attack.
Things suddenly become more buoyant with "Gone," which even opens with the joyous sounds of applause as Andrew sings, "Wouldn't trade one single moment as I look back on life/I'm not saying it's been easy, but I have grown so much." He affirms God's sovereignty and watchful eye with "Blow My Mind," dealing with the unconventional approach with which God shapes our lives. Andrew then declares his desire to persevere and live fully for the Lord with "Another Day" before wrapping things up with the brief "Final Song."
Powerful stuff that was undoubtedly cathartic for Andrew, and it's all set to the Beatle-esque pop/rock that marked PFR. While such music is nothing new, there will always be a place for it as long as the artist remains true to intelligent songwriting, memorable melodies, and strong musicianship. Co-produced by Gerald Fercho with Andrew, who played many of the instruments himself, guest musicians also include Hanson, Paul Eckberg (Eager), and Matt Slocum (Sixpence). While not quite as good as PFR was in their prime, this is still a challenging album (sad yet encouraging) that goes down easy with artistry and accessibility (thoughtful yet catchy). Since it'll unfortunately never see airtime on the radio, it's definitely worth going out of your way for at www.patrickandrew.com.