- The Blitz
- Evacuating London
- The Wardrobe
- Lucy Meets Mr. Tumnus
- A Narnia Lullaby
- The White Witch
- From Western Woods to Beaversadam
- Father Christmas
- To Aslan's Camp
- Knighting Peter
- The Stone Table
- The Battle
- Only the Beginning of the Adventure
- Can't Take It In—Imogen Heap
- Wunderkind—Alanis Morissette
- Winter Light—Tim Finn
- Where—Lisbeth Scott
Most successful film scores retell the story of the movie without use of words or images. Though they may not capture every nuance of a movie plot, they still manage to convey the heart and emotion of the highlights. In this, the soundtrack for
Some tracks clearly recall the film, like "The Blitz," which cleverly uses the instruments to simulate the sounds of WWII aircraft. "The Wardrobe" manages to capture the magical wonder of the first visit to Narnia, followed by the tenderness of "Lucy Meets Mr. Tumnus." And appropriately enough, the melancholic and dramatic build of "The Stone Table" stirs the same feelings of
This being a single disc, key scenes like the Witch's pursuit and Aslan's glorious return are absent, though at least the rousing climactic battle is preserved. The score relies heavily on incidental music, responding to the film's action, but most of it is clear, like Aslan's sudden appearance in the fireplace during "A Narnia Lullaby." The score also lacks a strong identifiable theme like the Star Wars or Lord of the Rings films, and some of the more contemporary New Age-y touches ("Evacuating London") feel out of place.
Four pop tracks round out the album, including Alanis Morissette's "Wunderkind" from the closing credits and the breathy Enya-meets-