- Bring It On
- Where You Are
- More Than Enough (Amazing Love)
- Wounded King
- Undisguised
- Everything I Need You Are
- Love Is for Always
- Work It Out
- You Are the One
- Dear Performer
- Never Been Unloved
Kara Williamson comes from a strong musical pedigree, having toured the country with her family to lead worship for much of her life. She's also gained prominent experience touring and singing with Michael W. Smith, Amy Grant, and CeCeWinans. But most people blinked and missed her short-lived 1999 stint with her siblings in the worship trio Three Strand, as well as her 2002 solo debut on Vertical/Integrity, simply entitled
INO is fortunately giving Williamson a second chance at a music career with
Williamson co-writes most of the songs again, yielding some thoughtful and creative lyricism. The title track and album's theme refers to the twenty-something's perfectionist tendencies and our need to shed shallow ideals, admit our flaws, and find both redemption and purpose in the Lord. Especially poignant is "Dear Performer," Williamson's Dear John letter to the people-pleaser inside of her as she comes to fully embrace God's unconditional grace and acceptance: "Dear performer, I'm His beloved and I don't have to measure up anymore/And I don't ever have to prove I'm worthy/Cuz after all, isn't that what Jesus died for?"
The flowing "O Wounded King" is written like a modern hymn, based on a poem written by Williamson's mother and also seemingly inspired by graphic suffering depicted in
Particularly refreshing is the album's overall sound, a solid mix of dynamic pop and rock that's stronger than the majority of what's on Christian radio these days. The producers aren't afraid to add crunchy guitars to beef up the sound or back off for a more artful and delicate approach. The drums are crisp, the piano enveloping—this album simply sounds
The lead CHR format single "Love Is For Always" is particularly strong. Though it rips off the guitar riff from The Romantics' classic "Talking in Your Sleep" and sounds a bit too much like No Doubt's cover of "It's My Life," there's still a thrilling neo-'80s rock groove to it. "Everything I Need You Are" is elevated by arty production, diverse instrumentation, and a complex chord structure, evoking Vanessa Carlton or Lampa's 2004 self-titled effort. "Work It Out" offers encouragement to a friend (perhaps from God to man) with pop as hooky and memorable as Stacie Orrico and Superchic[k].
This album is still a winner thanks to above average production and occasionally interesting songwriting, offering that little something extra that's missing in so much of today's Christian pop/rock. It'd be a shame if audiences allowed Kara Williamson to go unnoticed once again by missing out on