- My Generation
- The Hand That Holds the World
- Son of God
- Everything Is Beautiful
- Captivate
- Great Is the Lord
- Unashamed
- Love Is the Reversal
- Obsession
- Glorious One
- Shipwreck
Despite the success of "Filled with Your Glory," Starfield met with mixed reactions upon the release of their self-titled debut in 2004. Those who thought the Canadian band's modern worship sound was too formulaic, however, should check out "My Generation," the lead single from their follow-up effort
There are flashes of catchy, passionate worship music to be found, for sure. The prayerful "Captivate" is simple Brit-jangle pop reminiscent of Delirious, while the corporate-friendly "Unashamed" provides thoughtful lyrics on humility and grace. The thunderous worship of "Great Is the Lord" benefits from a strong guitar hook, and "Shipwreck" lives up to the album title as an ambient ballad of surrender.
However, even the title to "Love Is the Reversal" sounds plagiarized (along with the lyrics and melody) from Switchfoot, and "Obsession" seems like it was lifted straight from Coldplay's X&Y. Adapting a style with distinction is one thing, copying it with diminishing results is another. More often, Starfield sounds derivative of By the Tree and Tim Hughes, particularly on "The Hand That Holds the World" and "Glorious One," while "Son of God" is another example of hackneyed songwriting rationalized by worshipful intent.
Secular, Christian, or worship, if an album consistently reminds you of better bands you could be listening to, why would you bother with less? Starfield sounds very good on the surface, but there's still too little on this album that distinguishes their songs and sound from stronger alternatives.