- Awesome Is the Lord Most High
- Glorious
- Party
- Jesus Paid it All
- All We Need
- Center
- We Are Yours
- You Never Let Go
- I Stand Amazed (How Marvelous)
- Everything Glorious
- You Are My Joy
- We Win
- Our God Reigns
It's still amazing to me how much worship has transformed from the Maranatha and Vineyard days of old. While the message conveyed in the songs really isn't all that different—with an intentional focus of giving praise to whom praise is due—there wasn't the attention to quality musicianship or sophistication in production like there is now. And the continued popularity of the Passion movement, and the musicians who've consistently participated in it, have played a crucial part in that revolution. Ultimately, your Sunday morning worship service sounds a lot different today thanks to the Passion worship band, including the likes of Chris Tomlin, David Crowder, Matt Redman, and Charlie Hall. And for those of us who grew a little tired of singing "As the Deer," "Awesome God" and "Give Thanks" Sunday after Sunday (not that those are bad songs by any means), we're grateful.
The continued progression of worship music is more apparent than ever on the ninth project in the series—
As a bonus, the project not only serves as the ultimate souvenir for those who attended the conference, but it also functions as a resource for worship leaders who may feel stuck in a rut when it comes to Sunday morning song selection. Instead of the tried-but-true tracks that have been sung
Even if you don't happen to be a worship leader looking for new material, there's still plenty to take away here. On the aforementioned "Glorious," Watermark's Christy Nockels proves again why she's one of the industry's best vocalists (and why Watermark will be missed as it ends its decade-long run this year) as she provides understated yet memorable vocals that blend perfectly with Tomlin's. Another highlight is Redman's stirring "You Never Let Go." While not as instantly dynamic as his previous renderings "Better Is One Day," "Heart of Worship" or "Father's Song," there's earnestness and simplicity about his voice that can't help but draw you in while keeping your focus where it belongs. Also keeping things from growing predictable are Hall's three selections—"All We Need," "Center," and "We Are Yours"—which easily rank as some of his best work as he experiments with new musical textures. Though not as accessible as the rest of the material on
Adding the proverbial cherry on top to the overall experience is the fact that the album