- The Cure for Pain
- Southbound Train
- Lord, Save Me from Myself
- Equally Skilled
- The Moon Is a Magnet
- My Love Goes Free
- Learning How to Die
- Behind Your Eyes
- Somebody's Baby
- White as Snow
- I Am Still Running
- In Love
No need to read too much into Jon Foreman releasing a series of solo EPs; he has no intention of disbanding Switchfoot. But like other prolific songwriters who release side projects, Foreman has several songs that would be out of character for the band to record—softer and more intimate than his more rocking material. So with the blessing of his band and the encouragement of fans, Foreman has developed a 4-part EP series, each named after one of the four seasons. Though available for individual digital download, the songs are also available as a physical release through EMI's Credential Recordings, bundling them into 2-disc sets. The first is
Two things are immediately apparent from these EPs, the first being the sound. Switchfoot it ain't, though it clearly comes from the same creative mind responsible for "Let That Be Enough," "24," and "Let Your Love Be Strong." Think of these EPs as the lo-fi, indie folk side of Jon Foreman, along the lines of Elliott Smith and Iron & Wine. Acoustic guitar drives most of the self-produced tracks (executive-produced by Foreman's mentor Charlie Peacock), with occasional strings, horns, woodwinds, harmonica, sparse percussion, and more thrown in for color and variation. In contrast to Switchfoot's radio-friendly pop/rock, this music is quiet and contemplative, requiring deeper engagement and more active listening to fully appreciate.
The other noticeable quality is Foreman's clear-cut Christian lyricism. Those who have previously accused Switchfoot of "burying the message" won't be able to here. Perhaps Foreman has regained freedom to express himself since this was not recorded for a mainstream label. Yet Foreman never comes across as contrived or towing the line for the faithful. Instead, it's relatable, honest, and at times, gut-wrenchingly broken, to the point where parts of
These songs play their part in the overall theme, which becomes clearer from the Ecclesiastes-inspired "Lord, Save Me from Myself": "This world is where I breathe/Let it never be called home." Foreman's strongest composition is "Equally Skilled," which bleakly addresses humanity's capacity for good and evil, yet the melody almost seems more hopeful when it changes keys for the verse about Jesus helping us overcome our weakness. It's perfectly paced and a brilliant message overall, drawing on the text of
If all that seems a little dark,
Obviously influenced by the Psalms of Lament and psalms about confession, Foreman adapts
While Foreman's stripped-down sound won't appeal to all Switchfoot fans, it's an interesting change of pace that allows him to try new instrumentation and lay his soul bare in some of his most mature songwriting to date. And though the songs represented here seem rather sad in tone, remember that lamentations are prevalent throughout the Old Testament. Perhaps the best part about