Gore Verbinski's film
"It's too bad [the movie] wasn't visited by some ghostwriters," says Anne Navarro (Catholic News Service), "because then maybe the unimaginative fright flick could have scared up some spooky fun, or at least some well-placed audience laughs. The only clear thing in [this] mishmash of a story is that the writers had no idea where to go with it. Thrown in for good Disney measure is a halfhearted attempt at imparting a lesson that family comes first and standing up to one's fears takes guts. But it is such an afterthought that it loses its effect as quickly as the smoky ghosts evaporate."
"Minkoff integrated many aspects of the ethereal ride into his movie," says Michael Elliott (Movie Parables), "but wisely used them only as a backdrop for a fresh and imaginative tale. The ride may be decades old, but the movie just might make it seem new again. The production qualities are top notch. [It] evokes a creepy, spooky yet not too scary mood." He adds, "Of course, the concept of ghosts and zombies is something so unbiblical that there's little point in addressing it at length here. And yet, within this fantasy film, there are certain principles that do agree with scriptural truths."
While Elliott and Navarro think the film isn't scary enough, Jerry Langford (Movieguide) says, "The Disney execs must have sold their own souls to get a PG rating for
Holly McClure (Crosswalk) argues, "This isn't a bad movie. It has a few entertaining moments, and Murphy was funny in several parts. But in a season that is known for spreading joy and holiday cheer, why would you want to scare your kids or give them images of ghouls and skeletons to dance in their heads? Go see
"Haunt some other holiday movie, this
Similarly, mainstream critics are frowning as they file out of this haunted house.