A paranoid risk-assessment agent. A wild and crazy thrill-seeker. A romance that draws a worrywart into a world of extreme sports, dirty dancing, ferret-keeping, and opportunism. These elements should provide the opportunity for hilarious comedy.
But the screenwriter missed that opportunity. At least, that's what almost all religious press film critics are saying about
"By looking at the poster … one would expect a breezy romantic comedy full of love, laughs and a ferret," says David DiCerto (Catholic News Service). "Hamburg delivers on the ferret. And though one out of three is not bad, the movie is."
Michael Elliott (Movie Parables) says, "The problem is not with the actors but with the material. There isn't that much for them to work with. The characters they're playing just aren't interesting. [Stiller and Aniston] are rather disappointing. They're simply doing shtick we've seen them do many times before."
Lisa A. Rice (
Phil Boatwright (Movie Reporter) says the film continues a trend in contemporary comedies, supplying "bathroom antics in place of wit."
Loren Eaton (
"I'm confused," says Annabelle Robertson (Crosswalk). "Is the director four years old—or does he think we are? Because that's the only age group I know of (outside of Hollywood) which thinks potty humor is downright hilarious."
Taking a solitary stand in favor of the film, Gareth Van Kallenbach (Phantom Tollbooth) calls it "a funny and enjoyable comedy that should make you laugh and leave you with a smile."
Scowling, mainstream critics shake their heads and hurry off to the next movie in hopes of finding something better.
from Film Forum, 01/29/04Loren Eaton (
Chris Monroe (Christian Spotlight) finds irony in that "while