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Hot Fuzz Sure to Please Parody, Horror and Cop Fans

Written, directed and acted by the same team that gave us the hilarious zombie spoof, Shaun of the Dead, Hot Fuzz is sure to please fans of parody as well as horror and cop movies. Think Monty Python meets Bad Boys II meets Halloween IV, and you’ll get the idea.

  • Annabelle Robertson |
  • August 06, 2007 |
  • comments
Violent 300 a Perverse Form of Eye Candy

Filled with violent battle scenes, gory killings and some surprisingly explicit sex, 300 is a perverse form of eye candy. A war epic that arrives in the midst of the United States' ongoing war against Islamic radicalism, it offers, at best, only faint echoes of the current conflict.

Firehouse Dog a Mediocre Breed of Family Movie

While it could’ve been an entertaining, heart-warming movie about a family being brought closer together, Firehouse Dog settles for a lowbrow humor and an unconvincing plot that’ll likely leave the younger audience confused by this mixed breed of a movie.

Brisk Pacing Not Enough to Ignite Slow Burn

Slow Burn moves along at a brisk pace. Too brisk, really, at just 93 minutes, which adds to the challenge of trying to follow the plot. Some will be put off by the film’s overt sexuality as well—an overt contrivance which takes every advantage of the leading lady’s curves.

  • Annabelle Robertson |
  • July 27, 2007 |
  • comments
Factory Girl Fails with a Superficial Script

Factory Girl fails because it rests upon such a superficial script. The story never delves beneath the surface to explore why Andy Warhol was the way he was. And, while Edie Sedgwick’s problems are alluded to, they are never dealt with other than in the most trite way.

  • Annabelle Robertson |
  • July 24, 2007 |
  • comments
Sleuthing Is All in the Family in Zodiac

An R-rated film about an infamous serial killer is the first great “family film” of 2007. No, it’s not appropriate for anyone other than adults, but at its heart, Zodiac is about family values.

Epicenter DVD Elaborates on End-Times Theology

Epicenter, a one-hour DVD which promotes author Joel Rosenberg’s non-fiction book by the same name, elaborates on his end-times theology, which is currently popular among Dispensationalists like Tim LaHaye and Hal Lindsay.

  • Annabelle Robertson |
  • July 18, 2007 |
  • comments
Be Warned: Premonition Goes Nowhere Slowly

In Premonition, the ambiguity and emotionless nature don't do actress Sandra Bullock any favors, as she seems to be walking through the film in the same perpetual daze as the audience is by watching it.

Family Bonds Extolled in The Astronaut Farmer

The Astronaut Farmer is a compelling case study on whether or not it’s really worth the risk to follow the big dreams. More than anything, it’s an interesting peek into the dynamics of something we don’t often see: a functional, loving, supportive family.

Last Mimzy Stuffed With Conflicting Spiritual Messages

The masterminds behind The Last Mimzy showcase a Hollywood brand of spirituality that’s not particularly subtle, as everything from Buddhism to astrology to new age philosophies get major screen time.

Director Takes Wrong Turn With Driving Lessons

Jeremy Brock’s Driving Lessons is largely autobiographical. This may be the reason that this talented writer/director was unable to remain objective about this project—much less give it what it needed to succeed.

  • Annabelle Robertson |
  • July 09, 2007 |
  • comments
A Morality Tale Is Told in Black Snake Moan

Depicting things in the Deep South as sordid and bizarre, Black Snake Moan, is definitely not for the masses—especially those who like their movies sanitized. But even if it doesn’t look particularly moral, this is actually a well-made morality tale.

  • Annabelle Robertson |
  • July 03, 2007 |
  • comments
Coach's Example Makes the Difference in Cheer

Before Hoop Dreams, before Glory Road, there was Something to Cheer About. What a shame we don’t have more mentors like Coach Crowe instilling values in today’s basketball players.

  • Annabelle Robertson |
  • June 29, 2007 |
  • comments
Bullets, Bodies and Betrayal Mark a Violent Shooter

Although fast-paced and high action, Shooter comes with plenty of warnings and its title should clue us in on what to expect: countless bullets, bodies that are beaten, bloodied, tortured, and killed, and entire villages subjected to genocide. And that's just for starters.

Poor Script Makes for Bad Blood and Chocolate

Blood and Chocolate’s biggest problem, aside from the fact that it contains hardly any blood or chocolate, rendering the title meaningless, is its script. The pacing lags, the characters have little depth and the story lacks credibility.

  • Annabelle Robertson |
  • June 20, 2007 |
  • comments
Characters, Not Effects, Steal the Show in Terabithia

There’s nothing that spectacular about the special effects in Bridge to Terabithia. But the film's characterization is extraordinary, just like the award-winning book on which it's based. And no amount of computer-generated effects can make up for that.

Bad Acting, Theology Propel a Doomed Ghost Rider

With a lot of parental guidance, parents might be able to use Ghost Rider to teach kids about some aspects of evil. However, there are far better sources for that—ones that involve good theology. And good acting.

  • Annabelle Robertson |
  • June 15, 2007 |
  • comments
Twisted Reasoning Makes for Scatterbrained Secrets

Even if you can somehow follow the twisted reasoning in Secrets of the Code, its presentation of information is so completely scatterbrained that most people will find it incredibly boring. So even if you are inclined to believe this bunk, you’ll still have to stay awake to hear it.

  • Annabelle Robertson |
  • June 12, 2007 |
  • comments
Well-Acted Breach Wears Religion on Its Sleeve

The true story of the fall of FBI spy Robert Hanssen, Breach shows how a man who tricked the U.S. government for decades was brought down by the very people he held in contempt, and how a young bureau employee who shared Hanssen’s Catholic faith led to the man’s undoing.

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