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Why do you go to the movies? To have a good time? To escape? To forget the worries of the day? If so, skip Man on a Ledge.

Directed by Ralph Fiennes, Coriolanus is a gripping, cinematic take on one of Shakespeare’s less frequently performed plays.

Small people with big hopes make up The Secret Life of Arrietty. Give it a chance, and it will enhance your sense of wonder.

As the big-screen debut from Anthony Hemingway, with George Lucas as executive producer, what Red Tails lacks most is gravitas.

The Woman in Black, Daniel Radcliffe’s first starring role since the Harry Potter films, offers few moments of genuine fright.

Adapted from a Janet Evanovich novel, One for the Money is every Garden State stereotype strung together by a go-nowhere plot.

Things go as well as you might expect in this story of teen boys who have overwhelming powers. Which is to say, not well at all.

A transgender period piece—something you don’t see every day—Albert Nobbs isn’t fooling or shocking anyone, and it never will.

Being everything a good love story should be, this sweetheart of a movie released in theaters just in time for Valentine’s Day.

Director Garry Marshall ups the ante from Valentine’s Day, recruiting half of Hollywood to star in this sentimental dreck.

Character conflicts have a disappointingly generic quality, while the humorous treatment of sexual sin is downright troubling.

Director Steven Soderbergh leaves the art house far behind for this well-executed action film of a private contractor wronged.

Madonna and co-writer Alex Keshishian want us to care deeply, but the stakes laid out early in W.E. are poorly developed.

The story of a super smuggler who’s gone straight but is forced out of “retirement” to keep his family safe falls flat in a hurry.

There’s plenty of life left in the Mission: Impossible franchise, thanks to an inspired script and direction from Brad Bird.

Baby animals are nothing short of pure adorableness—something the documentary filmmakers definitely use to full crowd-pleasing effect in Born to Be Wild.

There aren’t too many films that extol political conservatism these days, but those views are championed in The Iron Lady.

Lion of Judah teaches biblical principles and some Bible trivia while depicting the Easter story from an unusual perspective.

Though handsome to look at and featuring an impressive war sequence, Spielberg’s War Horse flags considerably as it wears on.

It takes a real pro like Cameron Crowe to transform what could’ve been a big mess into something meaningful with We Bought a Zoo.