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B movie titles
Blades of Glory

With its over-the-top, absurd storyline, Blades of Glory offers plenty of one-liners that will likely become as memorable as the lines in Napoleon Dynamite. The downside? Perverted jokes, sexual allusions, references to or portrayals of drinking, drugs, smoking, and homosexuality, and a barrage of slapstick violence.


Sandler and Barrymore just pair well. Their third movie is a series of mostly funny fish-out-of-water moments that make a memorable film.

Blind Side, The

After burnishing her star power with the summer hit The Proposal, Sandra Bullock embodies Leigh Anne Tuohy in The Blind Side and, in the process, creates one of the year’s more memorable characters. And she’s no fictional creation.

  • Christian Hamaker |
  • November 20, 2009 |
  • comments

Blindness is the type of odious filmmaking that drives people who dare give it a shot right back to the refuge of mindless blockbusters. But films on the opposite end of the spectrum—like Blindness—are equally responsible.

Bling Ring, The

A painfully slow pace plus amoral, self-obsessed teens behaving like idiots minus a good lesson equals a massive waste of time.

Blonde Ambition

The target audience for Blonde Ambition is a mystery. With such patently silly production values, it seems geared to young girls and fans of Jessica Simpson. But its language and sexuality make it only appropriate for older teens or adults.

  • Annabelle Robertson |
  • January 29, 2008 |
  • comments
Blood and Chocolate

Blood and Chocolate’s biggest problem, aside from the fact that it contains hardly any blood or chocolate, rendering the title meaningless, is its script. The pacing lags, the characters have little depth and the story lacks credibility.

  • Annabelle Robertson |
  • June 12, 2007 |
  • comments
Blood Work

Deliberately paced cop movie builds to an interesting twist.

Blue Crush

A disappointing message about casual sex weighs down an otherwise entertaining movie.

Blue Jasmine

Cate Blanchett's powerhouse performance as the titular character is what the accolade tour de force is reserved for.

B movie titles
Blue Like Jazz

Donald Miller’s story might strike you as an unsurprising entry among the tales told by Christians critical of the church.


"Bobby” is less concerned with its title character than it is with teaching 1960s history - presumably to those too young to have considered it previously. What we get is a “highlight reel” of late '60s turbulence set to the most obvious period songs imaginable.

  • Christian Hamaker |
  • November 28, 2006 |
  • comments
Body of Lies

Body of Lies is not up to Ridley Scott’s best work, but the performances—especially from Leonardo DiCaprio—are strong. The result is a film that seriously examines U.S. foreign policy while still managing to entertain.

  • Christian Hamaker |
  • October 10, 2008 |
  • comments

Bolt is probably the best-looking Disney movie in a good long while. Crafted in gorgeous 3-D splendor, it’s a feast for the eyes complete with lavish attention to detail. And the engagingly drawn leads are only further enhanced with stellar vocal talent.

  • Christa Banister |
  • November 21, 2008 |
  • comments

As the debut of writer/director Christopher Rowley, Bonneville—but only barely. It’s full of the usual road trip clichés (the road-tripping gals pick up a handsome hitchhiker and one falls in love with a trucker), but it lacks substance.

  • Annabelle Robertson |
  • June 26, 2008 |
  • comments
Book of Eli, The

The Book of Eli continues the string of apocalyptic tales. It has style, it has action, but it also has something that sets it apart from even the best mindless action films. It has a point: The Word of God can be used for both good or ill, but a world without the Word is a hopeless place.

  • Christian Hamaker |
  • January 18, 2010 |
  • comments
Book of Life, The (2014)

Full of humor, charming characters, and some interesting life lessons, but quite a lot of it is about death and what happens after.

  • Susan Ellingburg |
  • October 17, 2014 |
  • comments
Book Thief, The

For any who see the film before reading the exceptional novel it's based on, a helpful tip is not to judge the book by the movie.

  • Christa Banister |
  • November 25, 2013 |
  • comments

"Borat" intends to offend, in order to reveal our deepest prejudices. The film also has a strong message about stereotypes and the subtle racism that still exists in our country. But to get there, we have to wade through a lot of nudity, foul language, scatology and crude humor.

  • Annabelle Robertson |
  • March 08, 2007 |
  • comments
Born to Be Wild

Baby animals are nothing short of pure adorableness—something the documentary filmmakers definitely use to full crowd-pleasing effect in Born to Be Wild.

Example: "Gen 1:1" "John 3" "Moses" "trust"
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