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Late in Evening, the protagonist, Ann (Vanessa Redgrave), is reunited on her deathbed with her old friend Lila (Meryl Streep). The opportunity to see two of the greatest actresses ever in the same scene should justify the price of admission. Save your money.

There's nothing like the holidays to remind everyone about what's really important in life. But sometimes the delivery of a valuable message about the importance of family simply gets lost in translation, which is exactly what happens in the ho-hum dramedy Everybody's Fine.

"Everyone's Hero" was the dream of the late Christopher and Dana Reeves. Throughout the film, it is clear they wanted to inspire children to value little life experiences along the road so that, if handled properly, they can all help when life calls us up to bat.

Will Ferrell takes a large step on the career-path transition from riotous comedies to heavier material.

Unfortunately, screenwriter Douglas Copeland never offers a remedy to the soulless living he so devastatingly describes in Everything’s Gone Green. It ends on an extremely nihilistic note—which is, of course, the curse of this postmodern age.

If you were convinced of the devil’s existence, would that prove the existence of God? “The Exorcism of Emily Rose” poses this question and points to answers that will be mostly encouraging to believers, but the film may leave enough lingering doubts to assuage a skeptic’s troubled conscience.

If those who write off intelligent design as nothing more than conservative, right-wing rhetoric would be willing to put aside their notions, they may be surprised by the provocative dialogue that’s been initiated in Expelled: No Intelligence Allowed.

Like watching Simon LeBon attempting to bust a move while singing "Hungry Like the Wolf" during a Duran Duran reunion tour, you can't stop wondering why 64-year-old Sylvester Stallone, who wrote, directed and stars in The Expendables, simply didn't quit while he was ahead.

Extract is better than some of the coarse R-rated comedies this year, but it's also surprisingly insubstantial given its moral content. The film does offer a few mild laughs, but the potentially offensive material is abundant throughout.

Extremely Loud & Incredibly Close will either have you reaching for a tissue or sighing from sheer emotional exhaustion. Or both.

The Eye, a remake of a film directed by Danny and Oxide Pang, makes the brothers 0 for 2 in American films they directed or that were remade from their original work. It’s deadly dull—worse than 2007’s tepid The Messengers—and should vanish quickly.