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Watch, The

If this is the best that Rogen, Stiller, Vaughn and Hill can come up with, the future of movie comedy should be left to others.


Dark and violent, Watchmen one-ups last year’s blockbuster, The Dark Knight, in explicit imagery, and it cannot be recommended. However, the story has potent themes that will resonate with viewers and demand discussion.

Water for Elephants

Water for Elephants not only has an old-fashioned feel, but also shows Robert Pattinson can play a character who’s not dead and brooding.

Water Horse: Legend of the Deep, The

If you overlook the obvious comparisons to E.T. and a predictable plot, The Water Horse isn’t a bad flick. Instead of the usual scatological humor that drags down so many movies aimed at the younger set, there’s actually a good story here about letting go of the things we love.

  • Christa Banister |
  • December 24, 2007 |
  • comments
Way Back, The

It deals with oppressive governments, the will to survive and the evil that men do. But it also soars with the power of faith and the hope that can keep us moving forward.

  • Christian Hamaker |
  • January 31, 2011 |
  • comments
Way, The

Together a little band of pilgrims walk, drink, and fight their way along the road. But do they find what they’re looking for?

  • Susan Ellingburg |
  • October 07, 2011 |
  • comments
Way, Way Back, The

The only distinguishing characteristic is that it doesn't have one. The writing and direction lack distinction; the young lead is bland.

We Are Marshall

We Are Marshall isn’t terrible, but it fails to measure up to the more effective sports movies of recent years. Considering the powerful true story that inspired the film, the movie’s lack of distinction is a little disappointing.

  • Christian Hamaker |
  • December 25, 2006 |
  • comments
We Bought a Zoo

It takes a real pro like Cameron Crowe to transform what could’ve been a big mess into something meaningful with We Bought a Zoo.

  • Christa Banister |
  • December 23, 2011 |
  • comments
We Don't Live Here Anymore

Like the other films made from Andre Dubus’ work, “In the Bedroom” and “House of Sand and Fog,” this one left me jonesin’ for a Prozac smoothie. Thank goodness they didn’t all come out at once; if I had watched all three back-to-back, I think I’d be in the psych ward by now.

  • Annabelle Robertson |
  • August 13, 2004 |
  • comments
W movie titles
We Own the Night

Echoes of the prodigal son parable abound in the latest crime film by director-screenwriter James Gray. Although the plot isn’t brilliant and suffers from obvious contrivances, it’s still an engaging spectacle.

  • Annabelle Robertson |
  • October 12, 2007 |
  • comments
We Were Soldiers

Director/writer Randall Wallace gives us a riveting and realistic look at war. This true account is more than just a war movie: It's a memorial to heroism.

Weather Man, The

From director Gore Verbinski, "The Weather Man" boldly peels back the veneer of material success, showing the existential emptiness that affects so many today, but falters badly by embracing these trends and the fractured society they have helped produce.

  • Christian Hamaker |
  • October 28, 2005 |
  • comments
Wedding Date, The

I’m a pretty easy sell when it comes to romantic comedies. Give me good characters, snappy dialogue and some acting, and I’ll enjoy it. After all, at the end of the rainbow, I believe, is love. But this film, despite solid performances from the cast (save Mulroney, who is appallingly boring), just doesn’t do the trick. So my prediction for this “Wedding Date” is one very limited engagement.

  • Annabelle Robertson |
  • February 04, 2005 |
  • comments
Welcome Home Roscoe Jenkins

How so many talented actors ended up in Welcome Home Roscoe Jenkins is a mystery. Many of the big names have only a few lines and are wasted in a film that just leaves viewers cold.

  • Christian Hamaker |
  • February 08, 2008 |
  • comments
What a Girl Wants

This fairy tale-come-true is filled with romance, adventure and family love that will appeal to kids as well as younger teenagers. I left with a smile and wanting to hug and dance with my dad, so hopefully it will touch a few hearts and do the same for you ? no matter how old you are!

What Happens in Vegas

With a threadbare plot straight out of a sitcom, What Happens in Vegas is not only the worst commercial for Sin City in a while, but the comedy is so insipid and low-brow you would’ve thought the script was penned by a junior-high boy.

What If (2014)

On the rom-com scale, scores fair on chemistry between leads, poor on script. Too bad in a sex-free film where marriage is a noble goal.

  • Christian Hamaker |
  • August 14, 2014 |
  • comments
What to Expect When You're Expecting

Yet another nonfiction best seller adapted for a multi-character, star-packed movie.

Whatever Works

Whatever Works sums up the philosophy of the film’s main character and of director Woody Allen himself. The filmmaker has lived out a no-judgments view of human nature that is reflected in his film scripts and characters.

Example: "Gen 1:1" "John 3" "Moses" "trust"
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