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February 2012
Secret World of Arrietty Is a Small Wonder

Small people with big hopes make up The Secret Life of Arrietty. Give it a chance, and it will enhance your sense of wonder.

  • Christian Hamaker |
  • February 17, 2012 |
  • comments
 
Coriolanus Could Make New Fans for the Bard

Directed by Ralph Fiennes, Coriolanus is a gripping, cinematic take on one of Shakespeare’s less frequently performed plays.

  • Christian Hamaker |
  • February 17, 2012 |
  • comments
 
There's Little Joy in the Journey 2

Based on Jules Verne’s novels, one can’t help wondering why the filmmakers didn’t take a few more cues from the author himself.

  • Christa Banister |
  • February 10, 2012 |
  • comments
 
Safe House Might Leave You Feeling Queasy

Shaky-camera syndrome has taken hold of today’s action movies. And Safe House, directed by Daniel Espinosa, is no different.

  • Christian Hamaker |
  • February 10, 2012 |
  • comments
 
Love Binds Ever Sweetly in The Vow

Being everything a good love story should be, this sweetheart of a movie released in theaters just in time for Valentine’s Day.

  • Susan Ellingburg |
  • February 10, 2012 |
  • comments
 
W.E. Looks Good but Ends Up Empty

Madonna and co-writer Alex Keshishian want us to care deeply, but the stakes laid out early in W.E. are poorly developed.

  • Christian Hamaker |
  • February 10, 2012 |
  • comments
 
Disturbing Realism Recorded in Chronicle

Things go as well as you might expect in this story of teen boys who have overwhelming powers. Which is to say, not well at all.

  • Susan Ellingburg |
  • February 09, 2012 |
  • comments
 
Big Miracle Is Hardly a Whale of a Tale

Big Miracle wants to be a whale of a tale with its heart in the right place, but the execution leaves more to be desired.

  • Christa Banister |
  • February 03, 2012 |
  • comments
 
Daniel Radcliffe Fades in Black

The Woman in Black, Daniel Radcliffe’s first starring role since the Harry Potter films, offers few moments of genuine fright.

  • Christian Hamaker |
  • February 03, 2012 |
  • comments
January 2012
One for the Money Isn’t Worth Yours

Adapted from a Janet Evanovich novel, One for the Money is every Garden State stereotype strung together by a go-nowhere plot.

  • Christa Banister |
  • January 30, 2012 |
  • comments
January 2012
A Very Blasé Albert Nobbs Isn’t Fooling

A transgender period piece—something you don’t see every day—Albert Nobbs isn’t fooling or shocking anyone, and it never will.

 
Don't Fall for Man on a Ledge

Why do you go to the movies? To have a good time? To escape? To forget the worries of the day? If so, skip Man on a Ledge.

  • Christian Hamaker |
  • January 27, 2012 |
  • comments
 
Good Intentions Mostly Fall Flat in Red Tails

As the big-screen debut from Anthony Hemingway, with George Lucas as executive producer, what Red Tails lacks most is gravitas.

  • Christa Banister |
  • January 23, 2012 |
  • comments
 
Soderbergh’s Haywire Has Punch

Director Steven Soderbergh leaves the art house far behind for this well-executed action film of a private contractor wronged.

  • Christian Hamaker |
  • January 20, 2012 |
  • comments
 
Extremely Loud Equally Moves and Unsettles

Extremely Loud & Incredibly Close will either have you reaching for a tissue or sighing from sheer emotional exhaustion. Or both.

  • Christa Banister |
  • January 20, 2012 |
  • comments
 
Sound the Gong for Joyful Noise

Character conflicts have a disappointingly generic quality, while the humorous treatment of sexual sin is downright troubling.

  • Christian Hamaker |
  • January 13, 2012 |
  • comments
 
Nothing Adds Up in Lackluster Contraband

The story of a super smuggler who’s gone straight but is forced out of “retirement” to keep his family safe falls flat in a hurry.

  • Christa Banister |
  • January 13, 2012 |
  • comments
 
Streep Rules as Thatcher in The Iron Lady

There aren’t too many films that extol political conservatism these days, but those views are championed in The Iron Lady.

  • Christian Hamaker |
  • January 13, 2012 |
  • comments
 
Carnage Plays It Tough, Sometimes Ugly

Carnage, based on the play The God of Carnage, is a pointed, sometimes brutal examination of human nature apart from God.

  • Christian Hamaker |
  • January 13, 2012 |
  • comments
 
Best of Two Eras Created by The Artist

The Artist, a full-length black-and-white silent film, is the best of two eras a century removed and must be seen in a theater.

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