In Spielberg’s hands, this story is given new life, and though the film suffers from a few implausibilities, they are hardly remarkable in the microcosm of society that this accomplished director creates. Funny without being slapstick, heartwarming without being sentimental, inspiring without being preachy, it is the most uplifting film I’ve seen in a long time.

Viktor is a man who defies logic. Although at first, he seems to be a poor, bumbling foreigner – largely due to his clothing and inability to speak English – he is actually a very talented, compassionate man who wins the hearts of everyone (save Dixon) that he meets. Viktor inspires people to love – and, like him, to submit to authority, even when the consequences are negative. That a character does so is a credit to Viktor’s modeling of higher standards. For, in addition to his honesty, Viktor refuses the easy route, which is often the way of the world. Even though he’s given ample opportunity to escape when the guards aren’t looking – with Dixon’s benediction – he chooses not to. It is a choice that will confuse many. But Viktor, in an outstanding performance by Hanks that harks back to “Cast Away,” is a foil to Dixon (an equally great performance by Tucci). Viktor follows the rules; Dixon lives by them. An administrator who wields his power with an iron fist, Dixon is a modern Pharisee who shows just how tyrannical man can be when he allows rules, instead of compassion, to dominate. Evil, this film seems to say, can be very subtle indeed.

Another important message that the film alludes to is the problem of homelessness. We are given a glimpse into their lives, and we are asked to sympathize. Like Viktor, many homeless people have stumbled upon unfortunate circumstances that have left them at the mercy of administrators and bureaucrats, and without food or clothing. How can we, like those who came to Viktor’s aid, assist them in meaningful ways?

Parents will want to consider the subplot surrounding Amelia, who is having a long-term affair with a married man. The relationship is rightfully portrayed as disheartening and discouraging for Amelia, yet highly addictive – yet another good message. The language is mild and there is no nudity, although there are passing mentions of sex.

The excellent acting, directing, cinematography, set, story and strong moral overtones of this film work together to provide satisfying summer fare. “The Terminal” is a breath of fresh air which is greatly appreciated in the cinematic summer heat.