The adorable Duff does an okay job with the role, which is all that’s really needed. Coolidge and the two stepsisters (Madeline Zima and Andrea Avery) overact, and the slapstick antics are a bit much, although Fiona’s “salmon” diet was funny. Murray’s character, on the other hand, is a real dud. He’s cute, but he’s weak. He doesn’t stand up to his hateful friends, he lets his dad walk all over him and his girlfriend is the nasty head cheerleader, Shelby (Julie Gonzalo). Okay, so he wants to change his life, become a writer and go to Princeton instead of U.S.C. But does he have to be such a wet washcloth in the meantime? Not my idea of Prince Charming at all. The only redeeming character, besides Sam, is Carter, but he falls for the shallow Shelby, too. Yech!
The cheesiest part of the film is its message, which consists of banalities like “believe in yourself” and “have faith in yourself” – all clichés without any real substance. Sam has to deal with emotional abuse from her stepmother, stepsisters, and the kids at school. How does she feel about this? What does she do with those feelings? And what about her father’s death? The film never goes beneath the surface. Worse, her father hands her a book of fairy tales and tells her, “Keep this. There are important things for you to learn there.” Although this book later reveals an important secret that changes Sam’s life, it’s clear that the only moral guidance Sam gets is from that book of fairy tales. How sad is that? No wonder her life – and the film – are vacuous.
Another negative message is that romance is the solution to all of our problems. This one has a twist of course – it’s not only romance, but education (i.e. getting into a good college) – which is good, but still highly unrealistic.
All in all, “A Cinderella Story” is a big disappointment.
OBJECTIONABLE CONTENT