Nevertheless, despite a very slow beginning and a somewhat sluggish pace throughout, I found myself enjoying this sequel to end all “Rocky” sequels (or so insists Stallone). It’s much more like the original, with realistic characters and a nuanced plotline. Of course, we’ve still got the skepticism, the training sequences (mercifully shortened), the Rocky music and the “go get ‘em” speeches. But here, there’s no evil opponent. Although Tarver’s surly character isn’t particularly appealing, and the real-life boxer can’t act at all, he’s not a straw man – and he sure looks great in the ring. Much like Stallone, who at 60, is more fit than one could possibly imagine.
Rather significantly, this plot doesn’t revolve around the fight, which takes up only the last 30 minutes of the film. Less focused on fulfilling your dreams, this is a movie is about believing in yourself, no matter how old you may be. It’s the ultimate Baby Boomer feel-good film, but it’s pretty nice for the rest of us, too. It’s about self-respect, second chances and the importance of doing what we love, no matter what the cost. “The only respect that matters is self-respect,” says Balboa, in one of the film’s many great lines.
As writer, director and star, Stallone does a fantastic job on all fronts. He’s both realistic and touching as the aging athlete with more heart than brains, and who tries to romance a childhood friend (Geraldine Hughes) without letting go of his dead wife (previously played by Talia Shire). Unfortunately, like Ventimiglia, the Irish Hughes (who does a great Philly accent), doesn’t stand out. But Young, as always, is compelling.
Stallone, who recently became a born-again Christian, also brings some nice spiritual overtones to the film. We see this in all the “Rocky” movies, but here it’s more obvious, without being off-putting. In one scene, a cross looms next to Rocky and his son, as they reconcile beside Adrian’s grave. In another, a Christian friend reads to Rocky from Zechariah before his fight, about victory in Christ. We also see Christian values on display when Balboa lets a former rival eat for free in his restaurant and when he treats Dixon with respect, both before and after the fight, which gives Dixon some of the dignity he’s been seeking.
It’s “Christian filmmaking” at its finest – and a very fitting way to end the series.
AUDIENCE: Mature teens and up
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