Whatever Works sums up the philosophy of the film’s main character and of director Woody Allen himself. The filmmaker has lived out a no-judgments view of human nature that is reflected in his film scripts and characters.
- October 27, 2009 |
Just in case you’ve ever wondered what it’s like to watch someone else play videogames for two and a half hours, sitting through Transformers: Revenge of the Fallen will definitely satiate your curiosity.
Unlike the smart writing and savvy direction of Star Trek, Land of the Lost only has Will Ferrell's over-the-top attempts to deliver the funny. And when some of the movie’s biggest laughs involve Matt Lauer, you know you're in trouble. Deep trouble.
Chéri is a period-piece about shallow, immoral and deceptive people, yet its ultimate observations are deep, its resolution moral, and its strength is in how deceptively it reaches those conclusions.
While it's been said there aren't nearly enough good parts for women over 40, surely, there's much better material out there than The Proposal. And if not, then maybe all actors should take a hiatus from romantic comedies until Nancy Meyers or Nora Ephron get around to writing something new.
- October 13, 2009 |
Eddie Murphy’s previous efforts in family films have left a lot to be desired: stories really worth telling and a heartbeat beyond those gimmicky attempted laughs. Fortunately for Murphy, Imagine That has both in spades.
Year One is not the story of Adam and Eve but of Zed and Oh (Jack Black and Michael Cera, respectively), a primordial tale of male friendship with the requisite fart jokes and sexual boasting that characterizes modern tales in the same genre.
In My Life in Ruins, characters are the most broad versions of themselves—well suited for a short sketch but insultingly flat for a feature-length film. It's comedy-as-cliché, sticking solely to slapstick and stereotypes and lacking any hint of dimension.
Certainly Sam Mendes' direction in Away We Go bears part of the burden of the film's success. And while his guidance is certainly found wanting, the mood Mendes sets largely masks what is a superficial and absurd concoction.
- September 29, 2009 |
Management is a great example of the power of casting. By giving Steve Zahn the starring role alongside Jennifer Aniston, we become witness to an unexpected, winning chemistry, thanks in part to impressive performances from lead actors and stellar supporting work.
- September 29, 2009 |
While low-budget, Battle for Terra is still an engaging tale that provides an intriguing change of pace for sci-fi fans. And in 3-D, Terra positively sparkles, thanks to eye-popping visuals and imaginative set-ups.
The jokes and discussion about the main character’s sexual escapades push Ghosts of Girlfriends Past well into “PG-13” territory. But the central character’s transformation, while predictable, gives the film a bit more depth than might be expected.
Observe and Report shares the boundary-breaking mentality of other R-rated comedies as of late: casual drug use and casual sex are par for the course, but its moments of outrageous humor ultimately take a back seat to the story’s darker underbelly.
Unlike last year's Iron Man, a perfect blend of larger-than-life popcorn movie with a coherent, intriguing storyline, X-Men Origins: Wolverine is nothing more than a series of special effects eventually wasted on a predictable script.
- September 15, 2009 |
Like its predecessor, Crank: High Voltage is the twenty-first century equivalent of ‘70s exploitation B-movie cinema—but taken to a whole other graphic level. It’s utterly pointless, intentionally ridiculous and very explicit as it revels in sex, guns and blood.
- September 08, 2009 |
Like last year’s Body of Lies, State of Play tries to seriously challenge American policy in an entertaining fashion, but unlike Lies, Play never grips the viewer. Its pacing is too often sluggish; its plot unconvincing.
- September 01, 2009 |
In Duplicity, the banter between Julia Roberts and Clive Owens is too sporadic, held back by the film’s stop-and-start quality which hinders the emotional bond that might have formed between the audience and the stars.
It shares a word ("sunshine") and an actor (Alan Arkin, again in a supporting role) with Little Miss Sunshine, but in Sunshine Cleaning lead performances from Amy Adams and Emily Blunt may yet vie for Academy recognition at next year’s ceremony.
Adventureland captured me as strongly as any film I've seen in a long time. Disparage its R-rated content if you must (and I wouldn't disparage anyone in return who would), but there is an authentic core to this nostalgic story that can't be denied.