While it's been said there aren't nearly enough good parts for women over 40, surely, there's much better material out there than The Proposal. And if not, then maybe all actors should take a hiatus from romantic comedies until Nancy Meyers or Nora Ephron get around to writing something new.
- October 13, 2009 |
Eddie Murphy’s previous efforts in family films have left a lot to be desired: stories really worth telling and a heartbeat beyond those gimmicky attempted laughs. Fortunately for Murphy, Imagine That has both in spades.
Year One is not the story of Adam and Eve but of Zed and Oh (Jack Black and Michael Cera, respectively), a primordial tale of male friendship with the requisite fart jokes and sexual boasting that characterizes modern tales in the same genre.
In My Life in Ruins, characters are the most broad versions of themselves—well suited for a short sketch but insultingly flat for a feature-length film. It's comedy-as-cliché, sticking solely to slapstick and stereotypes and lacking any hint of dimension.
Certainly Sam Mendes' direction in Away We Go bears part of the burden of the film's success. And while his guidance is certainly found wanting, the mood Mendes sets largely masks what is a superficial and absurd concoction.
- September 29, 2009 |
Management is a great example of the power of casting. By giving Steve Zahn the starring role alongside Jennifer Aniston, we become witness to an unexpected, winning chemistry, thanks in part to impressive performances from lead actors and stellar supporting work.
- September 29, 2009 |
While low-budget, Battle for Terra is still an engaging tale that provides an intriguing change of pace for sci-fi fans. And in 3-D, Terra positively sparkles, thanks to eye-popping visuals and imaginative set-ups.
The jokes and discussion about the main character’s sexual escapades push Ghosts of Girlfriends Past well into “PG-13” territory. But the central character’s transformation, while predictable, gives the film a bit more depth than might be expected.
Observe and Report shares the boundary-breaking mentality of other R-rated comedies as of late: casual drug use and casual sex are par for the course, but its moments of outrageous humor ultimately take a back seat to the story’s darker underbelly.
Unlike last year's Iron Man, a perfect blend of larger-than-life popcorn movie with a coherent, intriguing storyline, X-Men Origins: Wolverine is nothing more than a series of special effects eventually wasted on a predictable script.
- September 15, 2009 |
Like its predecessor, Crank: High Voltage is the twenty-first century equivalent of ‘70s exploitation B-movie cinema—but taken to a whole other graphic level. It’s utterly pointless, intentionally ridiculous and very explicit as it revels in sex, guns and blood.
- September 08, 2009 |
Like last year’s Body of Lies, State of Play tries to seriously challenge American policy in an entertaining fashion, but unlike Lies, Play never grips the viewer. Its pacing is too often sluggish; its plot unconvincing.
- September 01, 2009 |
In Duplicity, the banter between Julia Roberts and Clive Owens is too sporadic, held back by the film’s stop-and-start quality which hinders the emotional bond that might have formed between the audience and the stars.
It shares a word ("sunshine") and an actor (Alan Arkin, again in a supporting role) with Little Miss Sunshine, but in Sunshine Cleaning lead performances from Amy Adams and Emily Blunt may yet vie for Academy recognition at next year’s ceremony.
Adventureland captured me as strongly as any film I've seen in a long time. Disparage its R-rated content if you must (and I wouldn't disparage anyone in return who would), but there is an authentic core to this nostalgic story that can't be denied.
Ramin Bahrani’s Goodbye Solo is a simple tale, quietly told, and one of the best films you’ll ever see. While God is never mentioned during its 90-minute run time, it works as an eloquent parable of God’s love for fallen people.
Considering the way art seems to imitate Miley Cyrus' life these days, the timing probably couldn't be better for the big-screen treatment of Hannah Montana. Not only does it solidify Cyrus' place as the ultimate good girl, but Hannah is a character Cyrus can play convincingly.
- August 18, 2009 |
The Class, which won the top award at the most recent Cannes Film Festival, mixes teacher-student interaction throughout the course of one year at a school in Paris with behind-the-scenes political maneuvers and struggles.
- August 11, 2009 |
Instead of shooting for a straight remake, filmmakers prefer to call the latest installment a "reimagining." And given the slightly cheesy, low-grade special effects of Race to Witch Mountain’s predecessor, that's probably accurate.
- August 04, 2009 |
The Soloist entertains and inspires with its pitch-perfect portrayal of redemption between an unlikely duo. And for Christians and otherwise, it’s also a powerful reminder that authenticity and not bailing when the going gets tough is always the best way to live.
- August 04, 2009 |