The Academy of Motion Picture Arts and Sciences has announced its list of nominees for the 81st Annual Academy Awards, and now it’s time for Crosswalk.com to announce our favorite movies of 2008. 

How do we pick the Crosswalk.com top ten?  Our panel consists of our three regular movie critics and four staff editors, film fans one and all.  Each submits their personal top ten films of the year which serves as our list of nominees.  Then our editorial team picks its favorite films with the most consideration given to the films with the most votes.

Film is perhaps the most dominant and culturally influential art form of our generation.  As such, movies cry out for the thoughtful engagement of Christians at every level, be it critique, writing, acting, directing, or any of the technical aspects of moviemaking.  What we are looking for in a film, much like the Academy Awards, is excellence.  Technical excellence.  Excellence in storytelling.  Excellence in acting. But just as important to us as believers is how the film stands up when examined from a Christian perspective.  What message does the film want us to walk away with?  How does that message look in light of the Christian worldview?  And in the end, as we are people who love the movies, which ones are the most entertaining?

Please note that we understand that not every film is for everyone.  We all have different comfort levels with the portrayal of sin and potentially offensive content on the big screen.  You may click on the links provided below for a more detailed evaluation of each film’s potentially objectionable material.

The Envelope Please …

Typically after we tabulate the votes, we have a short list of films that we as a group feel are equally worthy.  Last year’s vote produced a three-way tie for the top spot.  After careful consideration our editors broke the tie by picking Ratatouille as our number one film of 2007.  Both in its artistry and message, this Pixar story seemed to be the best fit for our criteria of excellence.  This year however, no tie-breaking vote was necessary.  Our favorite film of 2008 was the only movie that was included on every panel voter’s top ten list.  For four of our voters, it was number one.  And while it may seem redundant to last year, Crosswalk.com’s favorite movie of 2008 is ...

1.  WALL•E
Rating:  G
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Certainly the most visually stunning film of the year, Pixar’s Wall•E brings us the poignant story of the last “living thing” on earth.  Set hundreds of years into the future, humanity has left the trashed planet Earth behind with only robot-kind to clean up the mess.  And as the last remaining people languish for generations aboard massive cruise-ship-like spaceships, the little robot Wall•E learns what it means to be human by rummaging through the trash humans have left behind.  This emotionally rich film has important things to say about the value of hard work, sacrifice, and love. Pixar’s attention to detail, in both narrative and animation, deserves enormous praise.

2.  THE DARK KNIGHT
Rating:  PG-13 (for intense sequences of violence and some menace)
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It was chaotic, violent, disturbing.  So why does it rate so highly on our list?  Not only was Heath Ledger's turn as the Joker a performance for the ages, but just think about the state of our world:  the realities of terror, human nature, and escalation, and what it takes to overcome them, in both the physical and spiritual realms.  Director Christopher Nolan and Christian Bale have hit upon everything elemental in the Batman character that resonates within us regarding love for people, sacrifice, and never giving up—on ideals, on each other, no matter how hard things get.

3.  SLUMDOG MILLIONAIRE
Rating:  R (for some violence, disturbing images and language)
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Prepare yourself for a cinematic rollercoaster ride when you settle in to watch the latest motion-picture experience from Director Danny Boyle.  Your emotions will run the gamut as you take in a story that is both violent and tender in its content and delivery.  Told quite creatively with the use of flashbacks, the tale of one man’s against-all-odds struggle to survive the slums of Mumbai, India, to fight for true love and to remain honorable in his actions is beyond substantive.  It is the kind of story that great films are made of!  If you want to be stirred, to be challenged and to ponder right and wrong long after a movie is over, then don't miss Slumdog Millionaire.

4.  THE CHRONICLES OF NARNIA:  PRINCE CASPIAN
Rating:  PG (for epic battle action and violence)
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For many of us here, Walden/Disney’s first foray to the land of Narnia with The Lion, the Witch and the Wardrobe, fell closer to bland than exciting.  But in almost every way that Wardrobe tried (or didn’t) but failed, this second trip to Narnia, Prince Caspian, succeeds. What was originally slavish adherence to the source has now become inspired cinematic faithfulness.  Characters and relationships that lacked emotion and complexity now come to life with camaraderie and depth.  And most importantly, the Aslan-as-Christ metaphor that seemed to be drawn merely out of obligation is now fully embraced.  Poignant and memorable, Prince Caspian is a major step forward and represents the Narnia we’ve truly been waiting for.

5.  QUANTUM OF SOLACE
Rating:  PG-13 (for intense sequences of violence and action, and some sexual content)
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Taking a page of notes from the action packed Bourne movies, this second installment in the new James Bond series does not disappoint. Quantum of Solace executes a compelling adventure while de-emphasizing some of the more objectionable elements of the Bond character.  This quest boasts the requisite thrills, spills and chills, all as impressively staged as anything currently seen on the action landscape.

6.  THE VISITOR
Rating:  PG-13 (for brief strong language)
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With a brilliantly subtle performance by noted character actor Richard Jenkins, The Visitor tells a story about illegal immigrants through the relatable medium of relationships, rather than debate-the-points rhetoric.  Jenkins portrays a withdrawn college professor who discovers a couple squatting in his New York apartment.  When it becomes clear that they have no place to go, he let’s them stay, and eventually they become friends.  The Visitor is a touching, entertaining celebration of life and friendship that examines the immigration issue from a unique angle, providing plenty of fodder for later conversation on the topic.

7.  IRON MAN
Rating:  PG-13 (for some intense sequences of sci-fi action and violence, and brief suggestive content)
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The Marvel entry in 2008's blockbuster summer went up against D.C.'s Dark Knight and did more than hold its own, in some ways running parallel (hero with unlimited resources and extreme intelligence) and diverging in others (more light than dark, more hope than despair).  Robert Downey Jr.'s turn as profiteer-turned-philanthropist Tony Stark was inspired, and apparently will help spawn a series about not just Iron Man, but other heroes that comprise Marvel's Avengers.  For the Christian mind, Stark's crisis of conscience hits all the right notes of redemption, putting away the old life, and embracing the greater good.

8.  THE CURIOUS CASE OF BENJAMIN BUTTON
Rating:  PG-13 (for brief war violence, sexual content, language and smoking)
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Often a movie invites you along on a fascinating journey without much comment on the decisions of its characters.  And in the quasi-fantastical The Curious Case of Benjamin Button, we have just that.  In one of the year’s most original films, the protagonist Benjamin Button is living his life in reverse:  born an old man, he grows physically younger as he ages.  Numerous decisions Benjamin and other characters surrounding him make in their lives are clearly problematic to a Christian worldview.  But the film has many touching moments, as Benjamin wrestles with the implications of what his odd life truly means for him and those he loves.

9.  CHANGELING
Rating:  R (for violent and disturbing content, and language)
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Changeling is a story of faith, hope and love in the face of oppression and despair.  Oscar winner Angelina Jolie portrays a working-class mother in 1928 whose life is turned upside down after her son disappears.  High praise is in order for Jolie’s moving performance, but that is just one element of a film that also features lush cinematography and potent Christian themes.  Changeling is deeply troubling in spots and is not for younger viewers—but for those who can absorb the horrors of the story, it is ultimately an edifying experience.