Everyone But the Most Cynical Will Enjoy "Racing Stripes"
- Annabelle Robertson Entertainment Critic
- 2005 1 Jan
Release Date: January 14, 2005
Rating: PG (for mild crude humor and some language)
Run Time: 1 hr. 27 min.
Director: Frederik Du Chau
Actors: Bruce Greenwood, Hayden Panettiere, M. Emmett Walsh, Wendi Malick, Gary Bullock, Frankie Muniz, Mandy Moore, Whoopi Goldberg, Dustin Hoffman, Jeff Foxworthy, Joshua Jackson, Snoop Dogg, Joe Pantoliano, Steve Harvey, David Spade
E.B. White’s “Charlotte’s Web” was one of my favorite books growing up, so it was only natural that I enjoyed “Babe” when it came out in 1995. But even if these stories made me somewhat predisposed to like this film, I’m still a stickler for good characterization and good dialogue (plots, in my opinion, ultimately boil down to just a few). For this and other reasons, I couldn’t help but be impressed by “Racing Stripes,” a funny movie with positive, encouraging messages that children and parents will enjoy.
When the circus pulls up its tent pegs and heads out of Kentucky, they forget poor little Stripes (voice of Frankie Muniz). Nolan Walsh (Bruce Greenwood), a former horse trainer, discovers the baby zebra and names it, then gives the animal a home on his farm. His daughter Channing (Hayden Panettiere) is delighted. As soon as Stripes spots the racehorses training next door, however, he wants to become one. The other barnyard animals, including Frannie, a goat (voice of Whoopi Goldberg) and Tucker, a Shetland pony (voice of Dustin Hoffman), have mixed feelings. It turns out that Tucker used to help his owner train horses, but when Nolan’s wife died during a race, they all gave it up. Now, Nolan refuses to let Channing ride, which is her dream.
Stripes refuses to give up, however, and spends every day racing the mailman and getting in shape. Soon, he’s good enough to gain some attention (with Channing on his back) – but no respect whatsoever. After all, what could a tiny zebra do against 1,500-pound thoroughbred? Even Sandy, a prize-winning jumper (voice of Mandy Moore) can’t stop people from mocking the pair. But with a little help from his friends, Stripes and Channing eventually make their way to the starting gates of the “Kentucky Open.” And there, they show everyone just how important it is to believe in yourself.
In the tradition of “Mr. Ed,” with a hefty dose of “Babe” and “National Velvet” comes a film that families of younger children can enjoy for its brains and heart.
It’s good fun, with a standard “sports movie” plot, pared down for youngsters. I don’t consider that a negative, however, because when it comes to plot, there truly is nothing new under the sun. Good narrative has little to do with plot, and should instead focuses on characters and dialogue – as well as good, positive messages. Good movies also need good actors and good directors. This film stands out on all counts.
With the exception of Muniz and Moore, who are both lackluster, and Snoop Dogg, who has only a small role (as a hound dog), Belgian director Frederik Du Chau (“Quest for Camelot”) has gathered a stellar cast that gives stand-out performances. Most notable are Goldberg and Hoffman, who constantly spar with one another and provide for good comedy. Panettiere is also charming. But it is Joe Pantoliano (“The Sopranos”) who almost steals the show. As a pelican who calls himself Goose, and who’s on the lam from the mob, he’s hilarious – particularly with his physical comedy. I laughed out loud when he “offed” the motorcycle.
Steve Harvey and David Spade, as horseflies Buzz and Scuzz, are alternatively funny and annoying. I don’t know when it became de rigueur to include scatology in family entertainment, but this movie has its share – and what a shame. It’s my biggest criticism of the film. Not only does this encourage kids to talk about and do disgusting things, but it also lowers societal standards of what is acceptable conversation. That a fly likes poop, okay – we can deal with it, and perhaps even laugh occasionally. But that he has a problem passing gas, I do not need to see, especially over and over. Get over it, Hollywood.
The flies otherwise provide for some witty dialogue, which flows throughout the film, and the novice screenwriter team of David Schmidt and Steven Wegner deserve kudos. Buzz says, “I’ve got 20 million brothers and sisters, and I gotta look out after you.” Scuzz later quips, “You think life’s tough? Try starting off as a maggot.” Goldberg also has some good lines that include “Don’t make me open a can of whup pony!” and, to the pelican, “You seem a little more surf than turf.” Another cute line is, “Who’s horse enough?”
Another positive element to this film – and perhaps its greatest achievement – is the strong messages that it sends about accepting people’s differences (a veiled allusion to racism) and believing in yourself. Growing up, my mother always told me, “You can become almost anything you want, as long as you’re willing to work hard enough and persevere.” It’s a message that is rarely given to children anymore, and it is only now that I appreciate how important it truly is. “Racing Stripes” sends the same message – and it’s a powerful one that kids need to hear today, because it takes an awful lot of guts to succeed.
The film also shows us the importance of fathers. In the wake of dozens of films (“About a Boy,” “Hearts in Atlantis,” “In Good Company,” to name just a fraction) that show just how desperate people become without a father, “Racing Stripes” demonstrates how vital dads are to our wellbeing. As Nolan, Greenwood is fabulous (and definitely underrated as an actor). Here, he demonstrates with winsome appeal how a father’s love can help a child to overcome even the greatest of tragedies, as well as lead her to her dream.
A lovely movie that everyone but the most cynical will enjoy.
AUDIENCE: All ages – but especially geared toward children 12 and under.
- Drugs/Alcohol Content: A character holds a glass of champagne in one scene.
- Language/Profanity: None. A character almost calls another one a mildly obscene name but is cut off by her father’s rebuke; an animal almost uses a mild obscenity but is cut off by another animal’s “baaaa.” One character experiences and jokes about his flatulence throughout film.
- Sexual Content/Nudity: None.
- Violence: A posse of horses surround a zebra, threaten him and appear to jump on him before he passes out; same posse “kidnaps” another horse and holds her “hostage;” an animal brags about being a hit man and “offing” other animals for pay, as well as various mob-style comments, like asking another animal about being in prison/jail.