Evil Plays the Darkest Role in The Rite
- Wednesday, January 26, 2011
It's hard to believe that what some consider "the ultimate" exorcism film of all time, The Exorcist, released in theaters nearly four decades ago.
At the time, the displays of evil in the R-rated horror movie shocked and terrified audiences—believers and nonbelievers alike. Allegedly based on a true story of a child who was demon possessed and a mother's and two priests' desperate attempts to help by way of an exorcism, the film was filled with intensely dark and violent scenes complete with foul language, blasphemy, paranormal occurrences and even death. And after earning ten Academy Award nominations and winning two (Best Sound, Best Adapted Screenplay), the bar was set for whatever films were to follow—not only in this subgenre, but into this unsettling realm of darkness as well.
Like The Exorcist, New Line Cinema/Warner Bros. Pictures' newest supernatural thriller, The Rite, is also inspired by real-life events.
Stranger Than Fiction
In the fall of 2005, a parish priest from California traveled to Rome, Italy, to take part in a groundbreaking, Vatican-affiliated university course: "Exorcism and the Prayer of Liberation." He had been charged to learn the official teaching of the Roman Catholic Church on the devil and exorcism, to train with an experienced exorcist and upon completion to return to the States to be appointed an official exorcist. During his nine months of study, Father Gary Thomas learned about a world he never knew existed as he participated in over eighty exorcisms along with a senior Italian exorcist.
At the same time, Matt Baglio, an American-born freelance writer based in Rome, had also heard of the course, which was open to laypeople as well, and thought it could make for an interesting article. However, once he met his fellow classmate Father Gary, he knew this priest's journey into the world of exorcism and demonic possession was most definitely something more: book material. And so Father Gary agreed to let the investigative journalist follow along with him and chronicle his training in becoming an exorcist.
But before the book had even been written, Baglio drafted a proposal which wound up in the hands of Hollywood film producers who were immediately excited about the original idea and wanted to make a movie inspired by this story of a priest going to exorcism school. Screenwriter Michael Petroni (The Chronicles of Narnia: The Voyage of the Dawn Treader) was enlisted and began to write the script in tandem as Baglio was finishing his book (The Rite: The Making of a Modern Exorcist).
Petroni, who has been involved with other films that delve into the "unseen world," was just as intrigued with The Rite.
"I just think it's my nature to be interested in the spiritual side of life," he says. "My Catholicism definitely informs that, and I find the Catholic faith provides a lot of material and a lot of symbolism and icons that I think are very useful when it comes to moviemaking."
Baglio was able to share with Petroni many of the interviews with priests and victims of possession that he had conducted in his research, as well as firsthand accounts of thirty exorcisms that he had witnessed—all of which the screenwriter says helped him greatly as he was crafting his script.
A Change is Gonna Come
While Father Gary Thomas is 52 in the book, in the film his character is portrayed by a twenty-something seminary student named Michael Kovak. Despite being very near graduation and the beginning of priesthood, Michael is struggling with his faith. Does he believe what he's learning in seminary? Is he really cut out for this? Or should he just quit his studies altogether?
Colin O'Donoghue, an up-and-coming actor (Showtime's The Tudors) from Drogheda, Ireland, who makes his feature film debut in The Rite, was excited to take on the role of Michael and understood the need to make the character based on Father Gary a much younger man in the film—as well as one who was much more skeptical about demonic possession, exorcism and belief in God than Father Gary had ever been.
"[My character] comes from an era where everything has a scientific explanation or most things do," he says of the uncertainty that Michael has about demonic possession. O'Donoghue also embraced the doubt that Michael has about his faith throughout the film.
"I think everybody has doubts at some point. A lot of priests that I spoke to, it's the very same question I asked them. ‘Have you ever doubted?' How can you not doubt?' That's when faith, I think, plays its biggest part when you are doubting. You just have to believe, and it will pull you through it."
Petroni echoes O'Donoghue by admitting that it was an intentional decision on his part to make a younger lead character for the film in order to help audiences better relate.
"It's purely for dramatic reasons. I knew that the type of audience for this skews toward younger than older. And for that reason, I thought I had to create a character that an audience could identify with. So they had to be younger, and they had to be skeptical. For me, it provided the window into that world."
Back to School
Before the young man can quit seminary though, his mentor Father Matthew (Toby Jones, Frost/Nixon) sees something special in Michael after witnessing him at the scene of an accident where he demonstrates extraordinary skills when calmly and compassionately dealing with a victim. He encourages Michael to consider going to Rome for specialized training and to help fulfill the need for exorcists.
Once there, although in his skepticism he challenges his superiors to look to psychiatry rather than demonic possession, he is soon dispatched to study one-on-one with a legendary priest named Father Lucas, who has performed thousands of exorcisms. What happens next could either strengthen Michael's lingering doubts or give new life to wavering belief.
Father Gary's mentor, who is named Father Carmine in real life and in the book, comes alive through this character of Father Lucas in the film. Portrayed by Academy Award-winning actor Anthony Hopkins (Fracture, Alexander), Father Lucas is known for his unorthodox ways and for his extensive experience in dealing with the spirit world. But ironically, even this veteran of the faith is struggling with his own uncertainties … and eventually his own unbelievable possession.
"I take it that Father Lucas' possession happens because he opens up something which he hasn't even thought about in his own soul and touches into something of his own dark side, his own neurosis, his own doubts and that's how he becomes possessed," shares Hopkins. "But then I don't know. I'm not a theologian. I don't know what I believe at all really."
Hopkins, who is no stranger to the portrayal of evil in some of his scarier, legendary roles (Hannibal Lecter, The Silence of the Lambs), initially didn't want to take the part. "I thought, ‘Oh, I don't want to do another creepy movie. I've done enough creepy movies.'" But his agent persisted, and on this side of the finished film, the actor is pleased that he carried through.
"It's probably the most interesting part I've played," he reveals, "because I start off as a man who is for all intents and purposes a ‘good man' and suddenly he's overtaken by some demonic thing that's inside himself."
Only in Hollywood?
While not a part of the book nor drawn from any of his own experiences either while training in Rome or in his day-to-day work as a pastor and exorcist in Northern California today, scenes of the priest's possession in The Rite were something that Father Gary still found interesting upon first screening the film.
"The movie doesn't really bring out whatever opening may have been in the person of Father Lucas that could've created the possession or that attachment," Father Gary admits. "But I think you need to keep in mind that it's Hollywood, too.
"I've never known personally anyone to whom that has happened," he continues. "But I will say this: in Rome, the priest I worked under … we had somebody come whom he could not figure out how that person had a diabolical attachment. They had a faith life, sacramental life, prayer life, the whole bit and yet this happened to them. So I can't say it's impossible."
Despite some of these disturbing moments in the film—which will no doubt provoke interesting demonic possession discussions for people of faith—Swedish writer and director Mikael Håfström, who is already known for horror films including 1408 which is based on the Stephen King short story of the same name, thinks that there is something of value here for audiences who take in The Rite.
"It's a film with, I think, a positive message. It's a film about finding yourself, finding your way. It's a film about memory and loss, about the important things in life. So hopefully it's entertaining in the right sense of the word. If it makes people think about some of these important questions in life, it's a good thing.
Rated PG-13 (for disturbing thematic material, violence, frightening images and language including sexual references), New Line Cinema/Warner Bros. Pictures' The Rite opens wide in theaters on January 28, 2011. Click here to read the review of The Rite.
Photos courtesy of Warner Bros. Pictures.
**This interview first published on January 26, 2011.
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