Q:  How was it being on stage?  You have some rigorous demands doing that.  

A:  The whole experience was incredibly romantic. I live a few blocks from the theatre so I’d walk to the show at night in the snow and it was great.  And it was sold out the first week of previews through the entire run.  That never happens, so I had a really nice experience that I think was probably rare.  Doing a play is such a different procedure, process, everything.  When you do a movie, a lot of times you don’t want a lot of rehearsal for something on film because you want…it’s so up close that sometimes, you want to catch the surprise of whatever just happened.  The first time that person says something to you, sometimes the surprise is the good stuff,  versus a play, it’s much more of a dance you’re doing with each other, especially this Neil LaBute play, because it was so modern and quick (snaps fingers) and harsh.  It’s music, so if one person is a slight syllable off, it completely throws the train off.  The rehearsal process is also a process and you get to know your character so much more. 

Q:  Why do you like living in New York?  Why not LA?

A:  In New York, I have this group and we all have coffee at the same time in the morning.  One hosts an NPR show, one is a writer, one is a lawyer, one is a jazz singer.  That’s good for me.  I like that and I like being at arm’s length from the business, because if something’s really great, I’ll find a way to act on it, but I don’t have to go on eight meetings a day.  L.A. is crazy for this business.  Everyone is talking about it and it’s so lucrative, and everyone is walking down the street with scripts in their hand.  So I’m like, get me away from this! (laughs)

Q:  You’re not worried about missing out on anything?

A:  No.  I’ve had such a great year and I’ve done things that have been so exciting and fulfilling and I’ve lived in New York the whole time, so it’s been fine.

Q:  Where were you born?

A:  I was born in California but I grew up in Arizona and Colorado – so lots of big spaces.  Now they live in Texas, my family.  I left home at an early age because I started working at about 15, in ‘The Mickey Mouse Club,’ so I started working at a really young age and I wasn’t with my family for a long time.

Q:  Do you like being on your own?

A:  Yeah, I like being on my own.  I do.  I tend to be a loner, so I’m okay.  I’m not okay when I have to be around everyone all the time.  [But] I have two cats.

Q:  How did that work, being a loner, in such a big ensemble cast with ‘The Upside of Anger?’

A:  Well, we all had our own flats in London [where the film was made], which was great, so I had plenty of alone time.  But normally you have a trailer.  However, we were shooting in Hampstead Heath, and we only had permits for a certain amount of trucks, because the rich neighbors were like, ‘We don’t want the trucks!’ – which is totally understandable.  So we would all have to stay – which is very uncommon – in this attic/living space/game room, in between scenes.  Sometimes you’d have a really important scene to do and you just had to sit there with this family of people.  It was interesting.  

Q:  We’ve heard that you all got along really well, but there must have been tensions, too.

A:  Women can be hard but I think it had to do with Joan [Allen]. She’s so graceful and has that great quality, and when someone of that integrity is at the helm it really sets the tone.  But all the girls were really okay, it was strange.  It was good.

"The Upside of Anger" opens in New York and Los Angeles on Friday, March 11 then throughout the U.S.  on March 18.  It is rated R for language, sexual situations, brief comic violence and some drug use.