Not your typical birth-to-grave biography. It's a little spastic and occasionally confusing but certainly keeps the intensity set high.
When a religiously-themed film has no agenda towards evangelism or secularism, it’s amazing how legitimately thought-provoking it can be.
The opening bursts with a rare synthesis of music and unusual imagery that looks like the beginning of a memorable film. It doesn't last.
Rather than cautioning about aspiring to god-like omniscience, Lucy appears to long for that outcome. But this is secondary to the fun.
Hoffman’s strong performance in A Most Wanted Man reminds us again of what we lost when he died.
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