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Draft Day

A far cry from an insider's look into the NFL. This isn't just the NFL Draft for dummies; it's the NFL Draft by dummies.


Intriguing drama follows one man's awakening to the supernatural.


Have you noticed how God seems to be working through television and the silver screen, showing us glimpses of His own heart to restore the objects of his affection? DreamWorks' latest movie, “Dreamer,” is a great example.


The musical movie genre has seen a bit of a resurgence in recent years, but last year’s Rent and The Producers didn't really translate that well, and unfortunately the horribly over-hyped Dreamgirls follows suit.

  • Stephen McGarvey |
  • December 21, 2006 |
  • comments
Dredd (2012)

The 2012 remake of Dredd lives up to its name in all the worst ways. What a waste this is.

  • Jeffrey Huston |
  • September 23, 2012 |
  • comments
Drillbit Taylor

Producer/screenwriter Judd Apatow has quickly made a name for himself as the bankable funny guy in Hollywood. But without the right material, (see Drillbit Taylor) it may not be easy to maintain this Midas touch.


Unlike anything you’d see The Rock or Jason Statham starring in these days, Drive’s protagonist is far less flashy.

  • Christa Banister |
  • September 16, 2011 |
  • comments
Drive Angry 3D

There's nothing more offensive about the new Nicolas Cage vehicle, Drive Angry 3D, than the thought of paying the inflated ticket prices to see the film in all three lurid dimensions.

  • Christian Hamaker |
  • February 28, 2011 |
  • comments
Driving Lessons

Jeremy Brock’s Driving Lessons is largely autobiographical. This may be the reason that this talented writer/director was unable to remain objective about this project—much less give it what it needed to succeed.

  • Annabelle Robertson |
  • July 03, 2007 |
  • comments
Drop, The

Could more accurately be referred to as "The Letdown," and a big one at that. Only manages a small burst of energy before fizzling out.

  • Christian Hamaker |
  • September 11, 2014 |
  • comments
D movie titles
Duchess, The

A metaphor common to period pieces is how opulent exteriors often mask sordid realities. It’s certainly a staple of The Duchess, although the metaphor isn’t restricted to the film’s themes. It expands to its quality as well.

  • Jeffrey Huston |
  • September 24, 2008 |
  • comments
Due Date

Much like its R-rated Planes, Trains & Automobiles predecessor that starred Steve Martin and the late John Candy back in 1987, Due Date is also the madcap tale of two guys who would never take a cross-country road trip together, if extenuating circumstances weren't involved.

  • Christa Banister |
  • November 05, 2010 |
  • comments
Dukes of Hazzard, The

The “good ol’ boys” of Hazzard County step up to the big screen in the film version of the CBS TV show on which the film is based, but fans should park their memories at the door. This uncomfortably crude update is aimed straight at today’s teenage audience, with enough profanity and sexual suggestiveness to make a grown man blush.

  • Christian Hamaker |
  • August 05, 2005 |
  • comments

In Duplicity, the banter between Julia Roberts and Clive Owens is too sporadic, held back by the film’s stop-and-start quality which hinders the emotional bond that might have formed between the audience and the stars.

Example: "Gen 1:1" "John 3" "Moses" "trust"
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