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March 2011
Grace Card Succeeds When Relationships in Focus

With noteworthy cinematography and acting, The Grace Card is a thought-provoking examination of faith and redemption.

February 2011
Drive Angry 3D Travels Far from Heaven

There's nothing more offensive about the new Nicolas Cage vehicle, Drive Angry 3D, than the thought of paying the inflated ticket prices to see the film in all three lurid dimensions.

  • Christian Hamaker |
  • February 28, 2011 |
  • comments
 
Kings of Crass Stoop Lower with Hall Pass

With Hall Pass, the Farrelly Brothers return to what they know best. If anything, the success of The Hangover has empowered them to dream up even dirtier jaw-dropping antics.

  • Christa Banister |
  • February 25, 2011 |
  • comments
 
Know This: Unknown Lacks Any Real Thrills

Unlike the Bourne trilogy, Unknown lifts the missing identity premise but doesn’t bother giving the audience a thrilling protagonist or at the very least, a great car chase scene.

  • Christa Banister |
  • February 18, 2011 |
  • comments
 
Finale Gives Gusto to I Am Number Four

If you can get past the ludicrous set-up, you might find I Am Number Four has a few things working in its favor.

  • Christian Hamaker |
  • February 18, 2011 |
  • comments
 
Lack of Laughs Stings in Just Go with It

Adam Sandler is Danny, a loser who, after being jilted by his bride-to-be 20 years earlier, learns that single women are easier to bed if he wears a wedding ring and pretends to be married.

  • Christian Hamaker |
  • February 14, 2011 |
  • comments
 
Never Say Never a Revealing Look at Bieber-Mania

Justin Bieber... force of nature or flash in the pan? Never Say Never attempts to examine the life of America's latest teen sensation.

  • Christa Banister |
  • February 12, 2011 |
  • comments
 
Gnomeo & Juliet is Kid-Friendly Shakespeare

An update of the Romeo and Juliet story for the young set, Gnomeo & Juliet has several laughs and a mostly gentle spirit. If that’s what it takes to expose kids to Shakespeare, I’m all for it. The film certainly could have been much worse than it is.

  • Christian Hamaker |
  • February 11, 2011 |
  • comments
 
Cameron's Sanctum Sinks and Stinks

Those excited to see James Cameron's name associated with Sanctum shouldn't be fooled. He produced, but direction was left to Alister Grierson, who has only one previous feature under his belt.

  • Christian Hamaker |
  • February 04, 2011 |
  • comments
January 2011
Male Bonding Goes to the Extreme in The Mechanic

As in The Transporter, Jason Statham is clearly in his element when executing grueling feats of ridiculousness. And The Mechanic is certainly no exception.

  • Christa Banister |
  • January 31, 2011 |
  • comments
January 2011
Faith Flourishes, Communism Withers in The Way Back

It deals with oppressive governments, the will to survive and the evil that men do. But it also soars with the power of faith and the hope that can keep us moving forward.

  • Christian Hamaker |
  • January 31, 2011 |
  • comments
 
The Rite Gets Only Some Things Right

While The Rite’s conclusion is somewhat gratifying, the supernatural thriller botches enough spiritual points along the way to make one wonder about its intentions.

  • Christian Hamaker |
  • January 28, 2011 |
  • comments
 
Costner Enlivens Routine Company Men

Writer/Director John Wells tackles economic downturn head-on in The Company Men, a well-performed but curiously unaffecting tale of corporate callousness and career retrenchment.

  • Christian Hamaker |
  • January 24, 2011 |
  • comments
 
Sex Without Consequences in No Strings Attached

Playing out like When Harry Met Sally in reverse, No Strings Attached examines modern sexual mores by posing the following question: Can men and women just sleep together on a regular basis without the pesky inconvenience of falling in love getting in the way?

  • Christa Banister |
  • January 21, 2011 |
  • comments
 
Green Hornet Shakes Up the Superhero Genre

The Green Hornet is like the goofy twin to The Dark Knight. Both have billionaire protagonists who don masks, drive cool cars, and are in the pursuit of justice—except one is the brooding Christian Bale while the other is the guy from Knocked Up.

 
Comedy or Not a Comedy? That's The Dilemma

Beyond the buddy-comedy dynamic of Vince Vaughn and Kevin James, The Dilemma is a rather serious story about romantic commitment, and the harsh realities of a crumbling marriage where intimacy between husband and wife is a fading memory.

  • Christian Hamaker |
  • January 14, 2011 |
  • comments
 
Season of the Witch Doesn't Slow Cage's Sad Slide

Nicolas Cage and director Dominic Sena have teamed up again for the torpid tale, Season of the Witch.

  • Christian Hamaker |
  • January 10, 2011 |
  • comments
 
Clichés Hamper Country Strong

If the movie industry thinks Country Strong is going to resonate with the same sizable audience that turned out for The Blind Side in 2009, it needs to think again.

  • Christian Hamaker |
  • January 07, 2011 |
  • comments
 
Mortality's Dark Shadow Dominates Biutiful

Alejandro Gonzales Innaritu's film starring Javier Bardem is a dark film about mortality and the struggle to exist in a harsh world.

  • Christian Hamaker |
  • January 03, 2011 |
  • comments
December 2010
Don't Bother Booking a Trip for Gulliver's Travels

Based very loosely on the classic novel, Gulliver's Travels borrows from Jack Black's rather limited supply of potty humor shenanigans and hopes that'll suffice.

  • Christa Banister |
  • December 27, 2010 |
  • comments
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