Bad Acting, Theology Propel a Doomed Ghost Rider
- Friday, June 15, 2007
DVD Release Date: June 12, 2007
Theatrical Release Date: February 16, 2007 (wide)
Rating: PG-13 (for horror violence and disturbing images)
Genre: Science Fiction/Drama
Run Time: 123 min.
Director: Mark Steven Johnson
Actors: Nicolas Cage, Eva Mendes, Peter Fonda, Wes Bentley, Sam Elliott, Donal Logue, Matt Long, Raquel Alessi
When 17-year-old Johnny Blaze (Matt Long) hears that his girlfriend, Roxanne (Raquel Alessi), is moving, he decides to run away with her. But later that night, Johnny learns that his father is dying of lung cancer. He heads off to tinker with his bike, and a strange figure (Peter Fonda, perfectly understated as the devil) appears and offers to heal his father, in exchange for Johnny’s soul.
The young man is tempted. Before making a decision, however, he takes a look at the contract. Before he can read it, he accidentally pricks his hand, causing a drop of blood to land on the paper. “That’ll do,” says Satan, snatching it up. The next day, Johnny awakes from this strange “dream.” To his delight, his father is healed. But, like so many other promises Satan makes, things don’t go exactly as planned.
Years later, Johnny (Nicolas Cage, trying desperately not to overact) is a world-renowned motorcycle stuntman. No matter how far he jumps or how hard he falls, he is never injured, however. “You must have an angel on your shoulder,” says his best friend and manager (Donal Logue). “Or something,” Johnny replies. Things are going great—until the day that Roxie (Eva Mendes, having forgotten how to act) shows up, begging for an interview. Johnny agrees, but is too flabbergasted to say much. Johnny persuades Roxie to go out for dinner.
While getting dressed, he hears his father’s bike revving outside. It’s the devil, and he has come to collect. Within minutes, Johnny is smoking—literally. His skin begins to melt and he screams then bursts into flames. Suddenly, he’s roaring off, collecting evil souls (and standing up Roxie). The only way Johnny can escape the deal? Defeat the devil’s nemesis, Blackheart (Wes Bentley), who also happens to be Satan’s son. Otherwise, Johnny will be “the Ghost Rider,” every single night, for the rest of his life.
Based on the Marvel Comic, Ghost Rider is director Mark Steven Johnson’s third directorial effort, after 2003’s Daredevil and 1998’s Simon Birch. Johnson is an experienced writer, having penned these scripts as well as Elektra and Grumpy Old Men, among others. Like many of his other films, he tends to write for teenage boys, and this is no exception. It’s full of violence and bad language, however, and while most of the action is cartoon-like in nature, it’s still gruesome. Numerous characters are murdered, and a few die hideous deaths.
Johnny’s father serves as a solid role model (save for his smoking addiction), and gives his son good advice. “Every choice you make has a consequence,” he says. “You do things without thinking, and you’re not making a choice. The choice is making you.” Unfortunately, the devil’s character is also fairly winsome. “Far out,” he says. “I enjoyed watching you ride.” When Johnny asks if he has a show, the devil grins and says, “’Greatest show on Earth.”
“Why’d you do it?” asks a character of Johnny, referring to the pact. “What’d you get in return?” “Heartache,” Johnny replies. It’s a powerful statement about how Satan will always deceive us into believing that what he offers is good, yet in reality reeks of pain, misery and death.
The film’s theology soon goes completely awry, however. Later, that same character (played by Sam Elliot, excellent as always), says, “Any man who’s got the guts to sell his soul for love has got the power to change the world. You didn’t do it for greed. You did it for the right reason. And that puts God on your side.” Well, first of all, it doesn’t take “courage” to make a deal with the devil. It takes fear. Courage means standing against the devil. Second, humans alone don’t have the power to change the world. If we stand with Jesus, however, we have the privilege of joining into the work he’s doing here on Earth. But we certainly can’t do it ourselves.
The most concerning—and misleading—aspect of the film is its ending, which tells us that we can defeat evil, on our own, if we’re determined. There’s hope in that message, but without Jesus, it’s a recipe for disaster. With a lot of parental guidance, parents might be able to use Ghost Rider to teach kids about some aspects of evil. However, there are far better sources for that—ones that involve good theology. And good acting.
AUDIENCE: Older teens and up
- Disc One
o Never-Before Seen Footage
o Commentary with Producer Gary Foster
o Commentary with Writer/Director Mark Steven Johnson and Visual Effects Supervisor Kevin Mack
- Disc Two
o Three ‘Making Of’ Documentaries: “Spirit of Vengeance,” “Spirit of Adventure” and “Spirit of Execution”
o “Sin and Salvation:” featurettes chronicling 40 years of Ghost Rider comic book history
- Occult: Extremely strong occult and Satanic images, signs and symbols, including demons, gruesome deaths, violence and murder. A boy makes a pact with the devil; a woman consults an eight-ball; a Satanic figure mocks confession by kneeling in a church and saying, “Forgive me father, for I have sinned . . . and I’ll go on sinning,” before murdering a terrified priest.
- Drugs/Alcohol: Smoking and drinking throughout (although main character says, “Alcohol gives me nightmares.”)
- Language/Profanity: Average. More than a dozen profanities and obscenities, plus a handful of crude slang terms.
- Sexual Content/Nudity: Mild. Teenagers kiss and plan to run away together; woman wears tight clothing and plunging necklines throughout film.
- Violence: Strong. Numerous scenes in which demons kill innocent people and also fight one another, as well as various disturbing crimes, including robbery of a teenage girl at knifepoint (who is rescued). Numerous murders, some violent, including a truck crashing into a man. Numerous other disturbing scenes, most of which contain strong occult elements.
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