More than just the beginnings of arguably the world’s most well-known and respected evangelist, Billy: The Early Years is the story of two friends, of two roads taken and of two ways to make a biopic.
Keeping the pace fast, City of Ember plays out like The Goonies meets National Treasure with a twinge of science fiction. The constant twists and turns of the plot, and its inevitable intrigue, will easily hold your attention for an hour.
Body of Lies is not up to Ridley Scott’s best work, but the performances—especially from Leonardo DiCaprio—are strong. The result is a film that seriously examines U.S. foreign policy while still managing to entertain.
Those who are looking for mainly inoffensive entertainment, and don’t mind weak attempts at humor, may enjoy Beverly Hills Chihuahua. But those looking for something better than a retread of themes from better films are advised to stay away.
Michael Cera’s latest role as the Nick of Nick and Norah’s Infinite Playlist, floats across the screen like it was written just for him—showcasing his unpretentious charm and carrying an otherwise forgettable movie.
Blindness is the type of odious filmmaking that drives people who dare give it a shot right back to the refuge of mindless blockbusters. But films on the opposite end of the spectrum—like Blindness—are equally responsible.
