What does this have to with Vacancy, you might be wondering? Simply this: Vacancy tells the story of two people in a remote motel room, discovering that they are being videotaped as part of a “snuff” film that will show their hideous deaths at the hands of unspeaking, seemingly unstoppable killers. Yes, that’s right: Vacancy is an “entertainment” film about psychotic killers, who film themselves and their victims. And the film’s national release is two days after the country has been exposed to an infamous videotape of a killer and his plans for mass slaughter.
Here are the rest of the plot details, if you care to know.
Amy and David Fox (Kate Beckinsale and Luke Wilson, both of whom need new agents) play a husband and wife on the brink of divorce. While traveling, David heads off the interstate and encounters car trouble, which forces the couple to seek shelter in a remote motel with a creepy manager (Frank Whaley).
Once inside their room, in search of something to take their minds off their seedy surroundings, the couple pops in an old VHS tape left atop the motel-room TV set. What they discover is a “snuff” film – footage of previous occupants in the same room, as they meet their doom at the hands of brutal killers.
Desperation sets in quickly. David confirms that video cameras are hiding behind the air vents, and menacing figures begin to move in on the couple. Their fates are sealed. Or are they?
The answer is irrelevant, but the film is not, for it offers a chance for a public shaming. Everyone involved in making and promoting this sinister, sick piece of work should feel something more than embarrassment. They should feel deeply, deeply ashamed of themselves.
I am not arguing for moral condemnation of all Hollywood product, nor of all “R”-rated films. I am not arguing that horror films are off-limits for Christians, or that acts of sadism should never, ever be depicted on film (I’m not sure they should be, but that’s not the thrust of my argument). Rather, I am pointing out that a movie about videotaped killings, sold as entertainment, is a revolting idea.
That the release of Vacancy should occur within days of a videotaped confession from a mass murderer presents an unlikely invitation to remind others that some films are simply shameful. And they don’t deserve our attention.
AUDIENCE: Not appropriate for anyone.
CAUTIONS: