Having spent most of his childhood in Memphis, Brewer knows the South, and it shows. Playing off of stereotypes that are as real as his actor’s accents, Brewer shows us what it’s like in those small towns. This is not Hollywood hype; it’s realism—even if his characters are all larger than life.
Another thing Brewer does well is religion. We actually meet a preacher (John Cothran, Jr.) who isn’t evil incarnate. He loves the Lord, he loves his flock more than he loves himself, and he gives sound advice—without seeming like a cardboard cutout. Not only that, but Laz is infused with faith as well. Like so many other Southerners, his is far more gritty and laced with doubt, but it manages to be credible nonetheless. They’re all broken people, searching for meaning—which they eventually find by shedding their evil ways and embracing community that defies racial lines.
The acting in this film is outstanding. Jackson, a Tennessee native, does a superb job with his role, and you’d never know that Ricci wasn’t raised in the South (she actually spent most of her childhood in New Jersey). The score is also superb, with a number of blues tunes that make for a very enjoyable soundtrack. And the cinematography is just gritty enough, with excellent use of red lighting that gives the film a true blues feel. They are all living the blues Laz sings, after all.
On the other hand, even though Brewer may be striving for artistic and hopeful, you can’t get around the fact that he has his leading lady wearing skimpy underwear and showing us her breasts throughout the film. Both main characters cuss a blue streak and get very, very drunk more than once, and there are some disturbing sexual scenes. Not only that, but Brewer also tends to hammer the hypocrisy that a promiscuous woman is wanton, whereas a promiscuous man is . . . well, just being a man. And then there’s the whole Southern Gothic theme, which not everyone understands or appreciates.
Black Snake Moan, which takes its title from a song in the film, is not for the masses—especially those who like their movies sanitized. Even if it doesn’t look particularly moral, however, this is actually a well-made morality tale.
AUDIENCE: Adults only
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