DVD Release Date: April 8, 2008
Theatrical Release Date: October 19, 2007 (limited)
Rating: R (for language and some disturbing images)
Genre: Drama
Run Time: 102 min.
Director: Terry George
Actors: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning, Sean Curley, Eddie Alderson
Reservation Road, from director Terry George (Hotel Rwanda), is the second high-profile October drama to take on the issues of loss, grief and the ways in which we cope with the sudden death of a loved one.
In the other, Things We Lost in the Fire, a recent widow looks to a friend of her deceased spouse to help her rebuild her life. In Reservation Road, a couple grapples with the hit-and-run death of their son. The grieving father pursues vengeance, while the guilty party comes to terms with what he must do. But where Fire is concerned with the demons that tempt us from facing reality, Road is about the destructive impact of making the wrong choice, and how the power of guilt can ultimately lead to the right outcome.
Ethan and Grace (Joaquin Phoenix and Jennifer Connelly) stop at a gas station while returning home from their son’s (Sean Curley) successful piano recital. When the boy steps out of the car, he’s struck and killed by a car driven by Dwight Arno (Mark Ruffalo), a lawyer on his way home from a Red Sox game with his son. Panicked, Dwight drives off, while his dazed son (Eddie Alderson) asks what happened.
Dwight’s ex wife (Mira Sorvino) shows increasing concern about Dwight, and his time spent with their son, but Dwight focuses on reports of the incident, and whether his role in it might be discovered. After a police investigation quickly dries up, and the prospects of finding the culprit dim, Dwight feels little relief. Instead, he fights the urge to confess his crime. His marriage is over and he cherishes the time spent with his son, but he worries about the lingering consequences of the fatal night. How can he pass along moral lessons about wrongdoing to his son, when he hasn’t accepted responsibility for his own actions?
Ethan believes justice will bring him a measure of peace, but when the proper channels of pursuing the culprit disappoint him, he takes matters into his own hands. His wife tries to move on from the tragedy but finds a growing gulf between her needs and her husband’s demand for closure.
In search of legal help, Ethan contacts a legal firm and, in a development that tests believability, is assigned Dwight as his counselor. Ethan gradually gathers his own evidence pointing to Dwight as the wanted man, while Dwight, unbeknownst to Ethan, prepares to turn himself in. He shows up at the police station to confess his crime, only to encounter another twist that prevents a confrontation-free resolution to the crime.
