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Invisible Looks More Like a TV Drama

Annabelle Robertson

Crosswalk.com Contributing Writer

DVD Release Date:  October 16, 2007
Theatrical Release Date:  April 27, 2007
Rating:  PG-13 (for violence, criminality, sensuality and language – all involving teens)
Genre:  Supernatural Thriller
Run Time:  97 min.
Director:  David S. Goyer
Actors:   Justin Chatwin, Margarita Levieva, Marcia Gay Harden, Chris Marquette, Callum Keith Rennie

In this adaptation of the Swedish novel and subsequent film Den Osynlige by Mats Wahl, Justin Chatwin (War of the Worlds) plays Nick Powell, a successful high school senior in the Pacific Northwest.  Nick’s father died when he was a boy and he now has a tense relationship with Diane (Marcia Gay Harden, Mystic River), his wealthy but aloof mother.  Nick dreams of becoming a writer and attending summer school in London.  He has, in fact, made plans to attend—with or without her approval.  In the meantime, he sells term papers to fellow students.

Self-effacing and a bit of a wimp, Nick’s best friend Pete (Chris Marquette, TV’s Joan of Arcadia) has gotten mixed up with the wrong crowd.  Pete is constantly in debt to Annie (Margarita Levieva), the school’s petty criminal.  When he can’t pay Annie back, she attacks him in the school bathroom.  Nick bails Pete out, but when she’s fingered for a heist, Nick ends up taking the blame.  He is left for dead after a brutal beating.

The next morning, Nick walks out of the woods and attends school, but no one can see or hear him.  He soon discovers that he is actually alive, caught somewhere between the living and the dead.  He somehow realizes that he will remain this way until they find his body, so he sets out to help the authorities do just that.

Together with screenwriters Mick Davis and Christine Roum, director David S. Goyer (2004’s Blade: Trinity) has, however unwittingly, created more of a CW television drama than the ghostly thriller it’s been promoted as.  Certainly, it has very little in common with The Sixth Sense, which the film’s jacket boldly insists.

The film promotes a positive message about the importance of parenting.  Despite their obvious differences, Nick and Annie have much in common.  Both have been neglected, and both feel unimportant and even invisible.  In fact, it’s only when Nick can actually see behind the scenes that he starts to feel alive again.

Unfortunately, the film’s basic premise is flawed.  The villain becomes the hero, with a new villain inserted at the end, along with a weird love story.  Her “accomplice” also has no reason to be involved—at least not one that’s credible.

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